A work in constant progress (and occasional regress).
Sofia Bohdanowicz is a Canadian screenwriter, producer and director. She has had retrospectives of her work screened at BAFICI, The Seattle Northwest Film Forum, Cinemateca de Bogotà, DocLisboa and Festival du nouveau cinéma. In 2017, the Toronto Film Critics Association awarded her the Jay Scott Prize and in 2018 she was nominated for the Rogers Prize for Best Canadian Film for her documentary Maison du bonheur. Her third feature film, MS Slavic 7 which is co-directed with actor Deragh Campbell, graced the cover of Cinemascope, premiered at the Berlinale and was featured at the Harvard Film Archive. Bohdanowicz is a Berlinale Talents and TIFF Lab alumni, and is currently in development on her fourth feature film.
Cinematography:
2018 Maison du Bonheur
Director:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Director of Photography:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Editor:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Producer:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Thanks:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 Anne at 13,000 Ft.
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Writer:
2013 An Evening
2013 Another Prayer
2014 A Prayer
2016 A Drownful Brilliance of Wings
2016 Never Eat Alone
2017 The View From Here
2018 Maison du Bonheur
2018 Roy Thomson
2018 The Soft Space
2018 Veslemøy's Song
2018 Where
2019 MS Slavic 7
2020 Point and Line to Plane
2021 Anne at 13,000 Ft.
2021 The Hardest Working Cat in Showbiz
2022 A Woman Escapes
2024 Measures for a Funeral
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.