A work in constant progress (and occasional regress).
Camera Operator:
2011 Não Se Preocupe, Nada Vai Dar Certo!
2013 Golden Oldies 2
Cinematography:
2010 5x Favela, Now by Ourselves
2011 Não Se Preocupe, Nada Vai Dar Certo!
2013 Golden Oldies 2
2013 Primeiro Dia de um Ano Qualquer
2017 Fonte da Juventude
2021 Tenório and the Dreams of Judo
Director of Photography:
2010 5x Favela, Now by Ourselves
2011 Não Se Preocupe, Nada Vai Dar Certo!
2013 Golden Oldies 2
2013 Primeiro Dia de um Ano Qualquer
2014 Alemão
2015 A Man Amidst Bees
2016 Maresia
2017 Fonte da Juventude
2018 Tudo Acaba Em Festa
2019 Carcereiros: O Filme
2019 Os Parças 2
2020 10 Horas para o Natal
2020 A Sogra Perfeita
2021 Tenório and the Dreams of Judo
2022 Breaking Myths
First Assistant Camera:
2006 1972
2006 No Meio da Rua
2008 Golden Oldies
2010 5x Favela, Now by Ourselves
2011 Não Se Pode Viver Sem Amor
2011 Não Se Preocupe, Nada Vai Dar Certo!
2013 Golden Oldies 2
2013 Primeiro Dia de um Ano Qualquer
2014 Alemão
2015 A Man Amidst Bees
2016 Maresia
2017 Fonte da Juventude
2018 Tudo Acaba Em Festa
2019 Carcereiros: O Filme
2019 Os Parças 2
2020 10 Horas para o Natal
2020 A Sogra Perfeita
2021 Tenório and the Dreams of Judo
2022 Breaking Myths
Director of Photography:
2024 Benefits with Friends
2024 Os Parças - A Série
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.