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Ingrid Veninger (b. 1968)

Birthplace:
Bratislava, Slovak Republic

Born:
August 21, 1968

Biography from TheMovieDB

Born in Bratislava and raised in Canada, Ingrid formed pUNK Films in 2003 with a ‘nothing is impossible’ manifesto. Since 2008, Ingrid has written/directed 5 features (Only, Modra, i am a good person/i am a bad person, The Animal Project, He Hated Pigeons) all of which have premiered at international festivals including: TIFF, Rotterdam, Slamdance, Whistler, Rome, OUTFest, FEMCine and MoMA, garnering awards and distribution worldwide. In 2014, Ingrid initiated the pUNK Films FEMMES LAB to foster feature films written and directed by Canadian women, sponsored by Academy Award winning actor Melissa Leo. Currently, Ingrid is a part-time member of the Film Studies Faculty at York University, Screenwriter-in- Residence at the University of Toronto, and Film Mentor at the Canadian Film Centre. Recently she completed her 6th feature PORCUPINE LAKE, produced with the financial participation of Telefilm Canada and Bell Media’s Harold Greenberg Fund with distribution in Canada by FILMS WE LIKE and world sales by OUTPLAY FILMS.

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Additional information:

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Film Performances

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Film Production

Cinematography:
2003  Urda/Bone

Director:
2003  Urda/Bone
2004  The Bunny Project
2005  Mama
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2013  The Animal Project
2015  He Hated Pigeons
2017  Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish

Executive Producer:
2003  Urda/Bone
2004  The Bunny Project
2005  Mama
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2013  The Animal Project
2015  He Hated Pigeons
2017  Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish
2024  Queen Tut

Producer:
2002  Gambling, Gods and LSD
2003  Urda/Bone
2004  The Bunny Project
2004  The Limb Salesman
2005  Mama
2005  Neil
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2009  Nurse.Fighter.Boy
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2012  The End of Time
2013  The Animal Project
2015  He Hated Pigeons
2016  Head Space
2017  Porcupine Lake
2017  The Other Side of Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish
2024  Queen Tut

Production Design:
2002  Gambling, Gods and LSD
2003  Urda/Bone
2004  The Bunny Project
2004  The Limb Salesman
2005  Mama
2005  Neil
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2009  Nurse.Fighter.Boy
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2012  The End of Time
2013  The Animal Project
2015  He Hated Pigeons
2016  Head Space
2017  Porcupine Lake
2017  The Other Side of Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish
2024  Queen Tut

Screenplay:
2002  Gambling, Gods and LSD
2003  Urda/Bone
2004  The Bunny Project
2004  The Limb Salesman
2005  Mama
2005  Neil
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2009  Nurse.Fighter.Boy
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2012  The End of Time
2013  The Animal Project
2015  He Hated Pigeons
2016  Head Space
2017  Porcupine Lake
2017  The Other Side of Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish
2024  Queen Tut

Writer:
2002  Gambling, Gods and LSD
2003  Urda/Bone
2004  The Bunny Project
2004  The Limb Salesman
2005  Mama
2005  Neil
2006  Everything is Love and Fear
2006  Hotel Vladivostok
2008  Only
2009  Nurse.Fighter.Boy
2010  Modra
2011  Headshots
2012  I Am a Good Person/I Am a Bad Person
2012  The End of Time
2013  The Animal Project
2015  He Hated Pigeons
2016  Head Space
2017  Porcupine Lake
2017  The Other Side of Porcupine Lake
2019  The World or Nothing
2021  ONE NINE
2021  Wish
2024  Queen Tut

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.