A work in constant progress (and occasional regress).
Birthplace:
Zenica, Bosnia and Herzegovina, Yugoslavia (now Zenica, Bosnia and Herzegovina)
Born:
April 22, 1971
Boris Petkovič, born on April 22, 1971, in Zenica, completed his studies at the Higher Traffic School in Portorož in 1996. In 2005, he graduated in film direction at the EICAR film school in Paris, where he also taught for the next three years. In 2008, he returned to Slovenia, where he currently lives and creates. He is known for Košarkar naj bo (2017), Desperado tonic (2004) and Utrip ljubezni (2015).
Camera Operator:
2011 In the Year of Hip Hop
Director:
1998 Forward
2004 Desperado Tonic
2011 In the Year of Hip Hop
2015 The Beat of Love
2016 Nara Petrovic = Human
2017 Let Him Be a Basketball Player
2018 Balkan Whispers
2022 LGBT_SLO_1984
Director of Photography:
1998 Forward
2004 Desperado Tonic
2011 In the Year of Hip Hop
2015 The Beat of Love
2016 Nara Petrovic = Human
2017 Let Him Be a Basketball Player
2018 Balkan Whispers
2022 LGBT_SLO_1984
Editor:
1998 Forward
2004 Desperado Tonic
2011 In the Year of Hip Hop
2015 The Beat of Love
2016 Nara Petrovic = Human
2017 Let Him Be a Basketball Player
2018 Balkan Whispers
2022 LGBT_SLO_1984
Producer:
1998 Forward
2004 Desperado Tonic
2011 In the Year of Hip Hop
2015 The Beat of Love
2016 Nara Petrovic = Human
2017 Let Him Be a Basketball Player
2018 Balkan Whispers
2022 LGBT_SLO_1984
Writer:
1998 Forward
2004 Desperado Tonic
2011 In the Year of Hip Hop
2015 The Beat of Love
2016 Nara Petrovic = Human
2017 Let Him Be a Basketball Player
2018 Balkan Whispers
2022 LGBT_SLO_1984
Director:
2015 The Finest Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.