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María Aparicio

Birthplace:
Córdoba, Argentina

Biography from TheMovieDB

María Aparicio (Argentina, 1992) was born and lives in Córdoba. The Streets (2016) is his first film as a director, followed by About the Clouds (2022, 37th Festival). Her works were shown at a number of local and international festivals and exhibits, and received a lot of recognition.

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Additional information:

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Film Production

Assistant Director:
2022  Seven Dogs

Cinematography:
2020  A Body Exploded into a Thousand Pieces
2022  Seven Dogs

Director:
2016  The Streets
2018  Hombre bajo la lluvia
2020  A Body Exploded into a Thousand Pieces
2022  Above the Clouds
2022  Seven Dogs
2022  What those eyes saw
2023  Undefined Things

Editor:
2016  The Streets
2018  Hombre bajo la lluvia
2020  A Body Exploded into a Thousand Pieces
2022  Above the Clouds
2022  Seven Dogs
2022  What those eyes saw
2023  Undefined Things

Producer:
2016  The Streets
2018  Hombre bajo la lluvia
2020  A Body Exploded into a Thousand Pieces
2022  Above the Clouds
2022  Seven Dogs
2022  What those eyes saw
2023  Undefined Things

Screenplay:
2016  The Streets
2018  Hombre bajo la lluvia
2020  A Body Exploded into a Thousand Pieces
2022  Above the Clouds
2022  Seven Dogs
2022  What those eyes saw
2023  Undefined Things

Writer:
2016  The Streets
2018  Hombre bajo la lluvia
2020  A Body Exploded into a Thousand Pieces
2022  Above the Clouds
2022  Seven Dogs
2022  What those eyes saw
2023  Undefined Things

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.