A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Cecilia Kang (Buenos Aires, Argentina, 1985) made her first documentary feature, My Last Failure (31st Festival), in 2016. Her short film Bicycles (2019) premiered at Rotterdam, and Videogames (2015) at the Berlinale. She is currently developing Hijo mayor, her first fiction feature.
Assistant Director:
2012 El hombre rebelde
2014 The Owners
2021 A Common Crime
2022 When I Look at Her
Continuity:
2012 El hombre rebelde
2014 The Owners
2020 Toxic
2021 A Common Crime
2022 When I Look at Her
Director:
2012 El hombre rebelde
2012 Long Live the Water
2014 Historias breves 9
2014 The Owners
2014 Videogames
2016 My Last Failure
2018 Bicycles
2020 Toxic
2021 A Common Crime
2022 When I Look at Her
2023 A Boat Departed from Me Taking Me Away
Producer:
2012 El hombre rebelde
2012 Long Live the Water
2014 Historias breves 9
2014 The Owners
2014 Videogames
2016 My Last Failure
2018 Bicycles
2020 Toxic
2021 A Common Crime
2022 When I Look at Her
2023 A Boat Departed from Me Taking Me Away
Screenplay:
2012 El hombre rebelde
2012 Long Live the Water
2014 Historias breves 9
2014 The Owners
2014 Videogames
2016 My Last Failure
2018 Bicycles
2020 Toxic
2021 A Common Crime
2022 When I Look at Her
2023 A Boat Departed from Me Taking Me Away
Second Assistant Director:
2012 El hombre rebelde
2012 Long Live the Water
2014 Historias breves 9
2014 The Owners
2014 Videogames
2016 Maldito seas Waterfall
2016 My Last Failure
2018 Bicycles
2020 Toxic
2021 A Common Crime
2022 When I Look at Her
2023 A Boat Departed from Me Taking Me Away
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.