A work in constant progress (and occasional regress).
Becky Parsons is a Canadian cinematographer, camera operator, director and producer. She is a graduate of the Nova Scotia College of Art and Design. In 2018, she founded the production company No Fear Films.
Cinematography:
2019 The Power of Play
2024 The Madones
Director of Photography:
2016 Weirdos
2018 C Sharp and D Suspended
2018 Sweet Marie: In Studio With Erin Costelo
2019 I Am Skylar
2019 The Power of Play
2020 Acadie Road : un road trip musical et poétique
2023 The Secret Gift of Christmas
2024 Believe in Christmas
2024 The Madones
First Assistant "B" Camera:
2014 Big Driver
2016 Weirdos
2018 C Sharp and D Suspended
2018 Sweet Marie: In Studio With Erin Costelo
2019 I Am Skylar
2019 The Power of Play
2020 Acadie Road : un road trip musical et poétique
2023 The Secret Gift of Christmas
2024 Believe in Christmas
2024 The Madones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.