Rei Hayama

Rei Hayama started filmmaking since 2008, after many thoughtful experiences among wildlife at the unique environment in her youth. She studied at Department of Moving Images and Performing Arts, Tama Art University. She has been try seeking the harmoniousness between human and others(animal,wildlife,nature) mainly through film and video works with sound, a poetic writings and symbolical images such as recorded body action. Currently she lives in Japan, and doing screenings and exhibitions at various locations such as film festival, art museum and gallery internationally. In 2016, her work had been screened at Tokyo Metropolitan Museum of Photography(Tokyo), MUSEUM OF THE MOVING IMAGE(New York), Tromsø International Film Festival, etc. (www.lightcone.org)

Additional information:

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Assistant Camera:
2012  Generator
2016  The Picture from Darkness

Director:
2009  A Child Goes Burying Dead Insects
2010  Cinema of Stuffing
2011  A Castle Built Upside Down
2011  Emblem
2012  Generator
2012  INITIAL VAPOR
2012  Their Bird
2013  THE FOCUS
2013  Waves Burning in Wheat Color
2015  Inaudible footsteps
2015  Reportage !
2015  SOME SMALLNESS COMING FROM LAND
2015  The knot of meridian
2015  land
2015  still life composition 'an accompaniment for life'
2016  Space Noise Calling
2016  The Picture from Darkness
2017  1/8
2017  IN SEARCH OF COLOUR
2018  Dreaming In The Dark
2018  On the collinear and reflected on the water
2018  The Pearl of Tailorbird
2019  They Can Be Seen From A Distance
2021  Dormant Soil/Concrete Reflections
2021  You are new November, old in eternal change

Title Designer:
2009  A Child Goes Burying Dead Insects
2010  Cinema of Stuffing
2011  A Castle Built Upside Down
2011  Emblem
2012  Generator
2012  INITIAL VAPOR
2012  Their Bird
2013  THE FOCUS
2013  Waves Burning in Wheat Color
2015  Inaudible footsteps
2015  Reportage !
2015  SOME SMALLNESS COMING FROM LAND
2015  The knot of meridian
2015  land
2015  still life composition 'an accompaniment for life'
2016  Space Noise Calling
2016  The Picture from Darkness
2017  1/8
2017  IN SEARCH OF COLOUR
2017  On Generation and Corruption
2018  Dreaming In The Dark
2018  On the collinear and reflected on the water
2018  The Pearl of Tailorbird
2019  They Can Be Seen From A Distance
2021  Dormant Soil/Concrete Reflections
2021  You are new November, old in eternal change

Vocals:
2009  A Child Goes Burying Dead Insects
2010  Cinema of Stuffing
2011  A Castle Built Upside Down
2011  Emblem
2012  Generator
2012  INITIAL VAPOR
2012  Their Bird
2013  THE FOCUS
2013  Waves Burning in Wheat Color
2015  Inaudible footsteps
2015  Reportage !
2015  SOME SMALLNESS COMING FROM LAND
2015  The knot of meridian
2015  land
2015  still life composition 'an accompaniment for life'
2016  Space Noise Calling
2016  The Picture from Darkness
2017  1/8
2017  IN SEARCH OF COLOUR
2017  On Generation and Corruption
2018  Dreaming In The Dark
2018  On the collinear and reflected on the water
2018  The Pearl of Tailorbird
2019  They Can Be Seen From A Distance
2021  Dormant Soil/Concrete Reflections
2021  You are new November, old in eternal change

Writer:
2009  A Child Goes Burying Dead Insects
2010  Cinema of Stuffing
2011  A Castle Built Upside Down
2011  Emblem
2012  Generator
2012  INITIAL VAPOR
2012  Their Bird
2013  THE FOCUS
2013  Waves Burning in Wheat Color
2015  Inaudible footsteps
2015  Reportage !
2015  SOME SMALLNESS COMING FROM LAND
2015  The knot of meridian
2015  land
2015  still life composition 'an accompaniment for life'
2016  Space Noise Calling
2016  The Picture from Darkness
2017  1/8
2017  IN SEARCH OF COLOUR
2017  On Generation and Corruption
2018  Dreaming In The Dark
2018  On the collinear and reflected on the water
2018  The Pearl of Tailorbird
2019  They Can Be Seen From A Distance
2021  Dormant Soil/Concrete Reflections
2021  You are new November, old in eternal change

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.