A work in constant progress (and occasional regress).
Rei Hayama started filmmaking since 2008, after many thoughtful experiences among wildlife at the unique environment in her youth. She studied at Department of Moving Images and Performing Arts, Tama Art University. She has been try seeking the harmoniousness between human and others(animal,wildlife,nature) mainly through film and video works with sound, a poetic writings and symbolical images such as recorded body action. Currently she lives in Japan, and doing screenings and exhibitions at various locations such as film festival, art museum and gallery internationally. In 2016, her work had been screened at Tokyo Metropolitan Museum of Photography(Tokyo), MUSEUM OF THE MOVING IMAGE(New York), Tromsø International Film Festival, etc. (www.lightcone.org)
Assistant Camera:
2012 Generator
2016 The Picture from Darkness
Director:
2009 A Child Goes Burying Dead Insects
2010 Cinema of Stuffing
2011 A Castle Built Upside Down
2011 Emblem
2012 Generator
2012 INITIAL VAPOR
2012 Their Bird
2013 THE FOCUS
2013 Waves Burning in Wheat Color
2015 Inaudible footsteps
2015 Reportage !
2015 SOME SMALLNESS COMING FROM LAND
2015 The knot of meridian
2015 land
2015 still life composition 'an accompaniment for life'
2016 Space Noise Calling
2016 The Picture from Darkness
2017 1/8
2017 IN SEARCH OF COLOUR
2018 Dreaming In The Dark
2018 On the collinear and reflected on the water
2018 The Pearl of Tailorbird
2019 They Can Be Seen From A Distance
2021 Dormant Soil/Concrete Reflections
2021 You are new November, old in eternal change
Title Designer:
2009 A Child Goes Burying Dead Insects
2010 Cinema of Stuffing
2011 A Castle Built Upside Down
2011 Emblem
2012 Generator
2012 INITIAL VAPOR
2012 Their Bird
2013 THE FOCUS
2013 Waves Burning in Wheat Color
2015 Inaudible footsteps
2015 Reportage !
2015 SOME SMALLNESS COMING FROM LAND
2015 The knot of meridian
2015 land
2015 still life composition 'an accompaniment for life'
2016 Space Noise Calling
2016 The Picture from Darkness
2017 1/8
2017 IN SEARCH OF COLOUR
2017 On Generation and Corruption
2018 Dreaming In The Dark
2018 On the collinear and reflected on the water
2018 The Pearl of Tailorbird
2019 They Can Be Seen From A Distance
2021 Dormant Soil/Concrete Reflections
2021 You are new November, old in eternal change
Vocals:
2009 A Child Goes Burying Dead Insects
2010 Cinema of Stuffing
2011 A Castle Built Upside Down
2011 Emblem
2012 Generator
2012 INITIAL VAPOR
2012 Their Bird
2013 THE FOCUS
2013 Waves Burning in Wheat Color
2015 Inaudible footsteps
2015 Reportage !
2015 SOME SMALLNESS COMING FROM LAND
2015 The knot of meridian
2015 land
2015 still life composition 'an accompaniment for life'
2016 Space Noise Calling
2016 The Picture from Darkness
2017 1/8
2017 IN SEARCH OF COLOUR
2017 On Generation and Corruption
2018 Dreaming In The Dark
2018 On the collinear and reflected on the water
2018 The Pearl of Tailorbird
2019 They Can Be Seen From A Distance
2021 Dormant Soil/Concrete Reflections
2021 You are new November, old in eternal change
Writer:
2009 A Child Goes Burying Dead Insects
2010 Cinema of Stuffing
2011 A Castle Built Upside Down
2011 Emblem
2012 Generator
2012 INITIAL VAPOR
2012 Their Bird
2013 THE FOCUS
2013 Waves Burning in Wheat Color
2015 Inaudible footsteps
2015 Reportage !
2015 SOME SMALLNESS COMING FROM LAND
2015 The knot of meridian
2015 land
2015 still life composition 'an accompaniment for life'
2016 Space Noise Calling
2016 The Picture from Darkness
2017 1/8
2017 IN SEARCH OF COLOUR
2017 On Generation and Corruption
2018 Dreaming In The Dark
2018 On the collinear and reflected on the water
2018 The Pearl of Tailorbird
2019 They Can Be Seen From A Distance
2021 Dormant Soil/Concrete Reflections
2021 You are new November, old in eternal change
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.