A work in constant progress (and occasional regress).
Stephen Gilliam was born on August 3, 1979 in San Angelo, Texas, USA. He is a producer and editor, known for Pumpkin Knight (2007), Arte Factum: Legends (2018) and Arte Factum (2017).
Boom Operator:
2016 Beacon
Camera Operator:
2012 Cole Younger & The Black Train
2016 Beacon
2018 Arte Factum: Legends
Cinematography:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2018 Arte Factum: Legends
Co-Director:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2018 Arte Factum: Legends
2018 Old Man of the Rooks
Director:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2018 Arte Factum: Legends
2018 Old Man of the Rooks
Director of Photography:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2018 Arte Factum: Legends
2018 Old Man of the Rooks
Editor:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 Old Man of the Rooks
Executive Producer:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 Old Man of the Rooks
Graphic Designer:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 Old Man of the Rooks
2021 Three Eras
Makeup Artist:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 Old Man of the Rooks
2021 Three Eras
Producer:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 Old Man of the Rooks
2021 Three Eras
Sound:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 My Demon Girlfriend
2018 Old Man of the Rooks
2021 Three Eras
Sound Editor:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 My Demon Girlfriend
2018 Old Man of the Rooks
2021 Three Eras
Special Effects:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 My Demon Girlfriend
2018 Old Man of the Rooks
2021 Three Eras
Still Photographer:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 My Demon Girlfriend
2018 Old Man of the Rooks
2021 Three Eras
Writer:
2012 Cole Younger & The Black Train
2016 Beacon
2016 Miss Shiny
2017 Arte Factum
2017 Diable en Boite
2018 Arte Factum: Legends
2018 My Demon Girlfriend
2018 Old Man of the Rooks
2021 Three Eras
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.