A work in constant progress (and occasional regress).
Birthplace:
Padua, Veneto, Italy
Born:
December 23, 1934
Died:
September 6, 2018
Claudio Scimone (23 December 1934 – 6 September 2018) was an Italian conductor. He was born in Padua, Italy and studied conducting with Dmitri Mitropoulos and Franco Ferrara. He established an international reputation as a conductor, as well as a composer. He revived many baroque and renaissance works. His discography includes over 150 titles, and he won numerous prizes, including the Grand Prix du Disque of the Académie Charles Cros. Claudio Scimone was the founder of I Solisti Veneti (the ensemble with which most of his recordings were made) and at the time of his death was the honorary conductor of the Gulbenkian Orchestra in Lisbon, Portugal. With the Philharmonia of London, he conducted the first recording of Muzio Clementi’s Symphonies. Scimone led the world to discover the importance of Vivaldi's theatrical works, beginning with the first modern performance of Orlando furioso, featuring Marilyn Horne and Victoria de Los Angeles. In the reborn Fenice Claudio Scimone directed the first modern revival of the Venetian version of Maometto secondo by Rossini. He also gave the modern premieres of Moses in Egypt and Oedipus at Colonus by Rossini, and The Last Judgement by Salieri. Claudio Scimone was awarded the title of Knight Grand Cross of the Order of Merit of the Italian Republic (the highest ranking honour of the Republic). He was also awarded an honorary law degree from the University of Padua. Source: Article "Claudio Scimone" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Conductor:
1987 A Boy from Calabria
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.