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Derek Handley

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Film Performances

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Film Production

Modeling:
1993  The Stranger: In Memory Alone

Props:
1985  Myth Makers 6: Nicola Bryant
1993  The Stranger: In Memory Alone

Researcher:
1985  Myth Makers 6: Nicola Bryant
1993  The Stranger: In Memory Alone
2006  Doctor Who: Origins
2008  Musical Scales: An Era of Experimentation

Special Effects:
1985  Myth Makers 6: Nicola Bryant
1991  The Stranger: Summoned by Shadows
1993  The Stranger: In Memory Alone
2006  Doctor Who: Origins
2008  Musical Scales: An Era of Experimentation

Still Photographer:
1985  Myth Makers 6: Nicola Bryant
1991  The Stranger: Summoned by Shadows
1993  The Stranger: In Memory Alone
2006  Doctor Who: Origins
2008  Musical Scales: An Era of Experimentation
2009  Roger Delgado: The Master
2009  The Perfect Scenario: Lost Frontiers
2009  The Perfect Scenario: The End of Dreams

Thanks:
1985  Myth Makers 6: Nicola Bryant
1991  The Stranger: Summoned by Shadows
1993  The Stranger: In Memory Alone
2006  Doctor Who: Origins
2006  Over the Edge: The Story of "The Edge of Destruction"
2007  The Humans of Tara
2008  Musical Scales: An Era of Experimentation
2008  The Making of The Trial of a Time Lord
2009  Roger Delgado: The Master
2009  The Perfect Scenario: Lost Frontiers
2009  The Perfect Scenario: The End of Dreams
2010  Christopher Barry: Director
2010  Into the Unknown
2011  Come in Number Five
2011  Horror on the High Rise
2012  Second Time Around: The Troughton Years
2019  Doctor Who: The Macra Terror
2021  Return to Skaro
2023  Time and Atlantis: Chronicling The Time Monster

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.