A work in constant progress (and occasional regress).
Art Department Manager:
2019 Dia de mudança
Art Direction:
2013 Linda, uma história horrível
2013 Tomou Café e Esperou
2016 Point Zero
2016 Two Girls Descending the Stairs
2017 Telentrega
2019 Dia de mudança
2019 Lane 4
2019 We Still Have the Deep Black Night
2020 Victor's Body
2023 Ripped
2024 O Vazio de Domingo à Tarde
???? Pequeno London
Costume Design:
2013 Linda, uma história horrível
2013 Tomou Café e Esperou
2016 Point Zero
2016 Two Girls Descending the Stairs
2017 Telentrega
2019 Dia de mudança
2019 Lane 4
2019 We Still Have the Deep Black Night
2020 Victor's Body
2023 Ripped
2024 O Vazio de Domingo à Tarde
???? Pequeno London
Production Design:
2013 Linda, uma história horrível
2013 Tomou Café e Esperou
2016 Point Zero
2016 Two Girls Descending the Stairs
2017 Telentrega
2019 Dia de mudança
2019 Lane 4
2019 We Still Have the Deep Black Night
2020 Victor's Body
2023 Noz Pecã
2023 Ripped
2024 O Vazio de Domingo à Tarde
???? Pequeno London
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.