A work in constant progress (and occasional regress).
Alias:
Amanda Nemcik Fuentes
Birthplace:
San Juan, Puerto Rico
Born:
March 3, 1984
Amanda Nemcik (b. 1984) was born and raised in Puerto Rico, in a family of audiovisual communicators. She has a Master's Degree (Summa Cum Laude) in Cinema and Audiovisual Communication from the Catholic University of Argentina, Buenos Aires and a B.A. with Major in Drama from the University of Puerto Rico, Río Piedras. Amanda became a film and a theatre actress at thirteen under the tutelage of Cuban filmmaker Enrique Pineda (b. 1933) and other local theater directors. While a drama student she co-founded Nomads Productions, a college theater group for which she produced and acted. Her short documentary "Copyleft... a challenge to copyright in Argentina" was selected to screen at the Convention of the Market of Cultural Industries in Argentina (MICA 2012). The animated stop-motion short "Water" - which she co-produced and co-directed - was selected for Cinefiesta 2012 and Divercine 2013 festivals and was a finalist in the Environmental Film Festival of San Juan 2012. Amanda works producing mini-documentaries and commercials for private firms and public agencies. The documentary "Luz en Latinoamérica" is her first feature. Her next project is "Ecoloriza", an animated movie that deals with the modern social problem of solid waste production and management.
Director:
2012 Agua
2016 Luz in Latin America
???? Ecoloriza
Director of Photography:
2011 Copyleft... un desafío al derecho de autor en Argentina
2012 Agua
2016 Luz in Latin America
???? Ecoloriza
Editor:
2011 Copyleft... un desafío al derecho de autor en Argentina
2012 Agua
2016 Luz in Latin America
???? Ecoloriza
Producer:
2011 Copyleft... un desafío al derecho de autor en Argentina
2012 Agua
2016 Luz in Latin America
???? Ecoloriza
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.