A work in constant progress (and occasional regress).
Birthplace:
Belarus
Growing up in a small town in Belarus while the USSR was falling apart, Alex was dreaming of traveling the world and becoming a filmmaker. At 16 she received a full scholarship to study in the United States and made Texas her home. After graduating high school Alex began interning at the European Parliament and created several documentaries and short narratives in Moscow, Dominican Republic, Belarus, Turkey and Italy that explored human rights issues. During that time she began to develop her voice as a female filmmaker and to seriously consider pursuing a film degree. In 2009 she graduated with honors from America's top-rated film school at the University of Southern California. She has assisted award-winning directors and worked on major productions such as Lucasfilm’s CLONE WARS, and the Coen Brothers' TRUE GRIT. Alex’s recent accolades stem from her latest short films Lonely Planet and Pale Blue, which has screened at dozens of festivals worldwide, including Oscar-qualifying festivals such as Los Angeles International Shortfest and Palm Springs International Shortfest, Newport Beach and Soho International. Most recently she directed a female-driven series for Lifetime and A&E digital platform and is currently developing her first feature film.
Director:
2014 Lonely Planet
2016 Pale Blue
2019 Enter the Anime
???? Satisfaction
Producer:
2014 Lonely Planet
2016 Pale Blue
2019 Enter the Anime
???? Satisfaction
Writer:
2014 Lonely Planet
2016 Pale Blue
2019 Enter the Anime
???? Satisfaction
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.