A work in constant progress (and occasional regress).
Alias:
José de Almeida Mauro
Zequinha Mauro
Born:
March 23, 1921
Son of the pioneer Humberto Mauro, Zequinha was one of the most talented and prolific film photographers in the country. In addition to producing more than a hundred films, Zequinha Mauro trains several generations of cinema photographers in Brazil. He also edited and directed films obtained by the National Institute of Educational Cinema.
Camera Operator:
1975 O Homem e o Limite
1977 Conversa com Cascudo
1979 Taim
1980 A, B, C, Brasil
Cinematography:
1938 Febre Amarela I
1949 Cidade do Rio de Janeiro
1950 Alberto Nepomuceno
1957 Congonhas do Campo
1958 A Medida do Tempo
1973 Os Brasileiros e a Conquista do Ar
1973 Oswaldo Cruz
1975 O Homem e o Limite
1977 Conversa com Cascudo
1979 O Cinegrafista de Rondon
1979 Taim
1980 A, B, C, Brasil
1984 Memória da Vida e do Trabalho
Director:
1938 Febre Amarela I
1949 Cidade do Rio de Janeiro
1950 Alberto Nepomuceno
1957 Congonhas do Campo
1958 A Medida do Tempo
1973 Os Brasileiros e a Conquista do Ar
1973 Oswaldo Cruz
1975 Festa do Divino Espírito Santo
1975 O Homem e o Limite
1977 Conversa com Cascudo
1979 O Cinegrafista de Rondon
1979 Taim
1980 A, B, C, Brasil
1984 Memória da Vida e do Trabalho
Director of Photography:
1938 Febre Amarela I
1938 Febre Amarela II
1945 O Ensino Industrial no Brasil
1947 O cristal oscilador: industrialização do quartzo no Brasil
1949 Cidade do Rio de Janeiro
1949 Cidade do Salvador
1950 Alberto Nepomuceno
1952 O Canto da Saudade
1954 Higiene Rural
1955 Cantos de Trabalho
1956 Manhã Na Roça: O Carro de Bois)
1956 Rural Constructions
1957 Congonhas do Campo
1958 A Medida do Tempo
1960 Endemias Rurais
1960 Museu Nacional
1962 O Papel
1964 A Velha a Fiar
1966 Rio, Uma Visão do Futuro
1973 Os Brasileiros e a Conquista do Ar
1973 Oswaldo Cruz
1975 Festa do Divino Espírito Santo
1975 O Homem e o Limite
1976 Laço de Fita
1977 Academia Brasileira de Letras
1977 Canção de Amor
1977 Conversa com Cascudo
1979 O Cinegrafista de Rondon
1979 Taim
1980 A, B, C, Brasil
1982 Perto de Clarice
1984 Memória da Vida e do Trabalho
1990 Welles' Language
Editor:
1938 Febre Amarela I
1938 Febre Amarela II
1945 O Ensino Industrial no Brasil
1947 O cristal oscilador: industrialização do quartzo no Brasil
1948 Castro Alves
1949 Cidade do Rio de Janeiro
1949 Cidade do Salvador
1950 Alberto Nepomuceno
1952 O Canto da Saudade
1954 Higiene Rural
1955 Cantos de Trabalho
1956 Manhã Na Roça: O Carro de Bois)
1956 Rural Constructions
1957 Congonhas do Campo
1958 A Medida do Tempo
1960 Endemias Rurais
1960 Museu Nacional
1962 O Papel
1964 A Velha a Fiar
1966 Rio, Uma Visão do Futuro
1973 Os Brasileiros e a Conquista do Ar
1973 Oswaldo Cruz
1975 Festa do Divino Espírito Santo
1975 O Homem e o Limite
1976 Laço de Fita
1977 Academia Brasileira de Letras
1977 Canção de Amor
1977 Conversa com Cascudo
1979 O Cinegrafista de Rondon
1979 Taim
1980 A, B, C, Brasil
1982 Perto de Clarice
1984 Memória da Vida e do Trabalho
1990 Welles' Language
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.