A work in constant progress (and occasional regress).
Director:
2017 GOOD/BYE
2022 Would You Like to Go to the Cinema Today?
Editor:
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2022 Would You Like to Go to the Cinema Today?
Music:
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2022 I Am What I Am
2022 Would You Like to Go to the Cinema Today?
Recording Supervision:
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2022 I Am What I Am
2022 Would You Like to Go to the Cinema Today?
Sound:
2013 Dressing Up
2013 Save the Club Noon
2013 Soul Flower Train
2013 Uzumasa Jacopetti
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2018 Witch-Which
2019 Dynamite Wolf
2020 Just the Two of Us
2020 My Favorite Girl
2021 Come and Go
2021 Echoes From a Bridge
2021 What is it that you said?
2022 I Am What I Am
2022 The World of You
2022 Would You Like to Go to the Cinema Today?
2022 Your Lovely Smile
Sound Designer:
2013 Dressing Up
2013 Save the Club Noon
2013 Soul Flower Train
2013 Uzumasa Jacopetti
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2018 Witch-Which
2019 Dynamite Wolf
2020 Ebony Dream
2020 Just the Two of Us
2020 My Favorite Girl
2021 Come and Go
2021 Echoes From a Bridge
2021 Third Time Lucky
2021 What is it that you said?
2022 I Am What I Am
2022 The World of You
2022 Would You Like to Go to the Cinema Today?
2022 Your Lovely Smile
2024 Black Ox
Sound Editor:
2013 Dressing Up
2013 Save the Club Noon
2013 Soul Flower Train
2013 Uzumasa Jacopetti
2015 Happy Hour
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2018 Witch-Which
2019 Dynamite Wolf
2020 Ebony Dream
2020 Just the Two of Us
2020 My Favorite Girl
2021 Come and Go
2021 Echoes From a Bridge
2021 Third Time Lucky
2021 What is it that you said?
2022 I Am What I Am
2022 The World of You
2022 Would You Like to Go to the Cinema Today?
2022 Your Lovely Smile
2024 Black Ox
Sound Mixer:
2013 Dressing Up
2013 Save the Club Noon
2013 Soul Flower Train
2013 Uzumasa Jacopetti
2015 Happy Hour
2016 Heaven Is Still Far Away
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2018 Witch-Which
2019 Dynamite Wolf
2020 Ebony Dream
2020 Just the Two of Us
2020 My Favorite Girl
2021 Come and Go
2021 Echoes From a Bridge
2021 Third Time Lucky
2021 What is it that you said?
2022 I Am What I Am
2022 The World of You
2022 Would You Like to Go to the Cinema Today?
2022 Your Lovely Smile
2023 Evil Does Not Exist
2024 Black Ox
Sound Recordist:
2013 Dressing Up
2013 Save the Club Noon
2013 Soul Flower Train
2013 Uzumasa Jacopetti
2015 Happy Hour
2016 Heaven Is Still Far Away
2016 Mother, I've Pretty Much Forgotten Your Face
2017 GOOD/BYE
2017 Slight Fever
2018 West North West
2018 Witch-Which
2019 Dynamite Wolf
2020 A Tale of the Riverside
2020 Ebony Dream
2020 Just the Two of Us
2020 My Favorite Girl
2021 Come and Go
2021 Echoes From a Bridge
2021 Third Time Lucky
2021 What is it that you said?
2022 I Am What I Am
2022 The World of You
2022 Would You Like to Go to the Cinema Today?
2022 Your Lovely Smile
2023 Evil Does Not Exist
2024 Black Ox
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.