A work in constant progress (and occasional regress).
Birthplace:
Glasgow, Scotland, UK
John Macneill trained at the (Royal) Central School of Speech & Drama on the three-year acting course. Upon graduation, and after an appearance at the Edinburgh Fringe, he joined Bedside Manners to play Bob Cratchet in A Christmas Carol, a small-scale musical tour of community venues in London. As an associate director of the company, John acted in, wrote and/or directed a further ten productions with the company, which ultimately toured to venues nationwide, including The West Yorkshire Playhouse, The Barbican Centre, and The Lyric Hammersmith. He appeared in Buddy and She Loves Me in the West End, as Tony in West Side Story at the National Theatre of Kenya, and has worked in various scales of theatre all over the UK. In 2002 he became Kneehigh's admin and marketing co-ordinator, then as co-director of Mundic Nation, he played Jack in Hell Fire Corner co-produced with Hall for Cornwall. John also played Pilia Borza in Barabas (Marlowe's Jew of Malta) and Helyar Jan in Never Say Rabbit in a Boat by Nick Darke at HfC. He played Rooster in Jerusalem touring outdoors for Common Players with Exeter Northcott. He played two shows back-to-back at the 2023 Edinburgh Fringe: Polko, and award-winning The Interrogation. A South West tour of one-man play The Coastguard in which he played Peter, received a five-star review. Television work includes Black Books, The Bill, Doc Martin, His Dark Materials, Beyond Paradise, and The Diplomat, as well as numerous commercials, while John is probably best known as Jacka Hoblyn in Poldark Series 2, 4 and 5. At AMATA John has worked closely with 2nd and 3rd Year students on performance, and acting for camera since 2015. His final productions The House of Bernarda Alba (2016) and The Resistible Rise of Arturo Ui (2017) won Best Actor/Actress awards, with the cast of Ui also winning Best Ensemble Company at the AMATA festival.
Producer:
???? The Hag Stone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.