A work in constant progress (and occasional regress).
Birthplace:
Holguín, Cuba
Born:
April 17, 1946
Jerónimo Labrada (born April 17, 1946 in Holguín, Cuba) is a sound engineer. In 1968, he began working as a sound recordist at ICAIC, after graduating from the Instituto de Telecomunicaciones y Electrónica. Between 1969 and 1973, he recorded most of the work of the ICAIC's Grupo de Experimentación Sonora, and albums by composers Pablo Milanés, Silvio Rodríguez, Leo Brouwer, Sergio Vitier, Frank Fernández, Sara González, Isabel Parra, Holly Near, among others. From 1975 to 1985, he was Head of the Recording Section of the ICAIC Sound Department. Since 1986, he has been part of the team that designs the teaching program at the Escuela Internacional de Cine y Televisión (EICTV), where he began as a founding professor of the Sound Department. He also participated in the establishment of the Facultad Arte de los Medios de Comunicación Audiovisual (FAMCA), where he is an Associate Professor. In 1990, he represented EICTV in the creation of FEISAL (Federación de Escuelas de la Imagen y el Sonido de América Latina) in Mexico; since 1992, he has been a member of its Advisory Council, based in São Paulo.
Sound:
1969 Take-Off at 18:00 Hours
1974 Sulkari
1977 My Brother, Fidel
Sound Editor:
1969 Take-Off at 18:00 Hours
1974 Sulkari
1977 My Brother, Fidel
2001 Molina's Test
Sound Engineer:
1969 Take-Off at 18:00 Hours
1974 Sulkari
1977 My Brother, Fidel
2001 Molina's Test
Sound Mixer:
1969 Take-Off at 18:00 Hours
1974 Sulkari
1975 The First Delegate
1977 My Brother, Fidel
2001 Molina's Test
2012 Las carpetas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.