A work in constant progress (and occasional regress).
Birthplace:
Cuttack, Orissa, British India [now India]
Born:
January 1, 1932
Died:
January 20, 1975
Pramod Pati was born in Odisha in 1932 and studied there and Bangalore and worked for a few years in the Odisha state government. He was awarded a scholarship to study in Czechoslovakia under the legendary puppet-maker, illustrator, motion-picture animator and film director Jiri Trinka.Emboldened by this experience and a growing artist-driven milieu at the Film Division, he joined the Films Division and put his ideas into practice. While previous Films Division documentaries were narrative-driven and didactic, Pati infused his films with non-narratives storytelling techniques and a broad range of influences from both India and the West.The Films Division of India was started by Prime Minister Jawaharlal Nehru in the late 1940s. Nehru’s guiding vision in launching it was for it to document the new socialist and scientific India that his government was building. The style of these initial films was of the straight documentary with an obvious message. In the 1960s and 1970s, the Films Divisions’s output moved in a more experimental, artistic direction. At the forefront of this shift was Pramod Pati.
Director:
1960 This Our India
1962 Wives and Wives
1963 Mansube Machilidhar
1964 Our National Anthem
1965 A Fable Retold
1968 Claxplosion
1968 Explorer
1970 Moments with the Maestro
1970 Trip
1972 Abid
Idea:
1960 This Our India
1962 Wives and Wives
1963 Mansube Machilidhar
1964 Our National Anthem
1965 A Fable Retold
1968 Claxplosion
1968 Explorer
1970 Moments with the Maestro
1970 Trip
1972 Abid
Producer:
1960 This Our India
1962 Wives and Wives
1963 Mansube Machilidhar
1964 Our National Anthem
1965 A Fable Retold
1968 Claxplosion
1968 Explorer
1970 Moments with the Maestro
1970 Trip
1972 Abid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.