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Julien Levy

Biography from TheMovieDB

Julien Levy studied philosophy in France. Later, as a musician, he travels around the world with his band within the hardcore punk scene. While touring, he shoots his first photography series, soon to be shown in galleries. He then moves to New York City. Over there, he intensifies his work as a multimedia artist (installations, films, artbooks…), before spreading his message through cinema and literature. Today, Julien works as a writer and a director. His work still adopts a do-it-yourself and highly independent method, deeply rooted in radical subcultures. Julien Levy now shares his time between Tokyo and Paris.

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Film Production

Director:
2009  Poison Lips
2012  From There All I Can Hear Is The Batting Of Your Eyelashes
2014  Without You I'm Nothing
2015  Home Is Where Your Heart Aches
2016  There Is No Tomorrow
2017  Things To Scream At The Sun
2018  After You Comes the Flood

Editor:
2009  Poison Lips
2012  From There All I Can Hear Is The Batting Of Your Eyelashes
2014  Without You I'm Nothing
2015  Home Is Where Your Heart Aches
2016  There Is No Tomorrow
2017  Things To Scream At The Sun
2018  After You Comes the Flood

Writer:
2009  Poison Lips
2012  From There All I Can Hear Is The Batting Of Your Eyelashes
2014  Without You I'm Nothing
2015  Home Is Where Your Heart Aches
2016  There Is No Tomorrow
2017  Things To Scream At The Sun
2018  After You Comes the Flood

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.