A work in constant progress (and occasional regress).
Stephen Folker is an award-winning photographer and filmmaker based in Iowa. Since 2010, he's been creating one of a kind, independent films. Starting out with zany comedies, his work has shifted toward heartfelt dramas. His screenplay, "Life as a Peach" was a quarter finalist in the Los Angeles International Screenplay Awards along with the ScreenCraft Screenwriting Fellowship. As of 2020, Folker is a recurring Cinematographer for Law & Crime Network. His work has aired on PBS, A&E and Hulu.
Cinematography:
2015 The Orange Man
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Director:
2014 To Survive
2015 The Orange Man
2016 Field Freak
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Editor:
2014 To Survive
2015 The Orange Man
2016 Field Freak
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Producer:
2014 To Survive
2015 The Orange Man
2016 Field Freak
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Sound Recordist:
2014 To Survive
2015 The Orange Man
2016 Field Freak
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Writer:
2014 To Survive
2015 The Orange Man
2016 Field Freak
2022 At the End of the Canyon
2023 Into the Valley
2024 House on Rockingham
2024 The Kids' Table
Cinematography:
2020 Killer Cases
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.