Jon Behrens

Jon Behrens is a Seattle based filmmaker/composer. His films have been screened at film festivals, colleges and museums through out the world since the early 1980’s including screenings at Antimatter Film Festival Canada, Seattle International Film Festival, TIE Film Festival Colorado, London Underground Film Festival, Crossroads Film Festival San Francisco,  Festival International des Cinemas Differents et Experimentaux in Paris, Alternative Film and Video festival in Novi Beograd Serbia, Sydney Underground Film Festival, Festival des Cinémas Différents de Paris and many many others. His work ranges from personal film diary’s to abstract hand painted optically printed works. In addition to filmmaking Jon Behrens is also a composer and has created sound designs for most of his own films starting about 10 years ago, as well as non film related compositions.  Jon Behrens is also the co-founder co-director of the Interbay Cinema Society which also produces the Engauge Experimental Film Festival.

Additional information:

The Search Form


Director:
1987  Kodachrome Revisited
1987  Light Color and Water
1989  Exposures
1990  Symmetry
1992  Reflections
1993  Difficult Cinema
1993  Liquid
1994  Undercurrents
1995  A Little Splinter of Time
1995  Girl and a Bicycle
1996  The Movement of Light at Night
1997  Desert Abstractions
1997  Stan's Salon
1998  Fluffy Fluffy Calm Calm
1999  Prostian Neurosis
2000  The Last Ten Minutes of Existence
2001  All Saints Day
2001  All Saints Day II
2001  The Flickering of the Minds Eye
2003  Anomalies of the Unconscious
2003  Vernal Obeisance
2006  Six Arms - Homage to Mekas
2006  The Astrum Argentinum
2007  An Optical Printer Duet
2008  The Production and Decay of Strange Particles
2009  a meditation in color and light
2013  A Beginning a Middle and an End
2013  One Minute Movie No. 1
2014  Retina Circus
2015  Meandering
2015  The Colors of Boulder in the Summer
2016  A City in Four Parts
2016  An Afternoon at Oyster Bay
2016  Me And My Friend
2016  Two Roll Camera Roll
2017  Found Footage Film
2018  A Film Containing Trees
2018  Light Coins
2019  A Winter Song
2019  Bleach Bypass
2019  In the Autumn Before the Winter Comes Man's Last Made Surge of Youth
2019  Recycled Realizations
2019  Snow Film
2020  All The Pretty Summer Colors
2020  Look closely and you will see
2020  Viaduct
2021  My Stars
????  Atomic Theory and Chemistry
????  Color Abstractions #8
????  Late Summer Superimpositions
????  Revolve

Sound:
1987  Kodachrome Revisited
1987  Light Color and Water
1989  Exposures
1990  Symmetry
1992  Reflections
1993  Difficult Cinema
1993  Liquid
1994  Undercurrents
1995  A Little Splinter of Time
1995  Girl and a Bicycle
1996  The Movement of Light at Night
1997  Desert Abstractions
1997  Stan's Salon
1998  Fluffy Fluffy Calm Calm
1999  Prostian Neurosis
2000  The Last Ten Minutes of Existence
2001  All Saints Day
2001  All Saints Day II
2001  The Flickering of the Minds Eye
2003  Anomalies of the Unconscious
2003  Vernal Obeisance
2006  Six Arms - Homage to Mekas
2006  The Astrum Argentinum
2007  An Optical Printer Duet
2008  The Production and Decay of Strange Particles
2009  a meditation in color and light
2013  A Beginning a Middle and an End
2013  One Minute Movie No. 1
2014  Retina Circus
2015  Meandering
2015  The Colors of Boulder in the Summer
2016  A City in Four Parts
2016  An Afternoon at Oyster Bay
2016  Me And My Friend
2016  Two Roll Camera Roll
2017  Found Footage Film
2018  A Film Containing Trees
2018  Light Coins
2019  A Winter Song
2019  Bleach Bypass
2019  In the Autumn Before the Winter Comes Man's Last Made Surge of Youth
2019  Recycled Realizations
2019  Snow Film
2020  All The Pretty Summer Colors
2020  Look closely and you will see
2020  Viaduct
2021  My Stars
????  Atomic Theory and Chemistry
????  Color Abstractions #8
????  Late Summer Superimpositions
????  Revolve

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.