A work in constant progress (and occasional regress).
Jon Behrens is a Seattle based filmmaker/composer. His films have been screened at film festivals, colleges and museums through out the world since the early 1980’s including screenings at Antimatter Film Festival Canada, Seattle International Film Festival, TIE Film Festival Colorado, London Underground Film Festival, Crossroads Film Festival San Francisco, Festival International des Cinemas Differents et Experimentaux in Paris, Alternative Film and Video festival in Novi Beograd Serbia, Sydney Underground Film Festival, Festival des Cinémas Différents de Paris and many many others. His work ranges from personal film diary’s to abstract hand painted optically printed works. In addition to filmmaking Jon Behrens is also a composer and has created sound designs for most of his own films starting about 10 years ago, as well as non film related compositions. Jon Behrens is also the co-founder co-director of the Interbay Cinema Society which also produces the Engauge Experimental Film Festival.
Director:
1987 Kodachrome Revisited
1987 Light Color and Water
1989 Exposures
1990 Symmetry
1992 Reflections
1993 Difficult Cinema
1993 Liquid
1994 Undercurrents
1995 A Little Splinter of Time
1995 Girl and a Bicycle
1996 The Movement of Light at Night
1997 Desert Abstractions
1997 Stan's Salon
1998 Fluffy Fluffy Calm Calm
1999 Prostian Neurosis
2000 The Last Ten Minutes of Existence
2001 All Saints Day
2001 All Saints Day II
2001 The Flickering of the Minds Eye
2003 Anomalies of the Unconscious
2003 Vernal Obeisance
2006 Six Arms - Homage to Mekas
2006 The Astrum Argentinum
2007 An Optical Printer Duet
2008 The Production and Decay of Strange Particles
2009 a meditation in color and light
2013 A Beginning a Middle and an End
2013 One Minute Movie No. 1
2014 Retina Circus
2015 Meandering
2015 The Colors of Boulder in the Summer
2016 A City in Four Parts
2016 An Afternoon at Oyster Bay
2016 Me And My Friend
2016 Two Roll Camera Roll
2017 Found Footage Film
2018 A Film Containing Trees
2018 Light Coins
2019 A Winter Song
2019 Bleach Bypass
2019 In the Autumn Before the Winter Comes Man's Last Made Surge of Youth
2019 Recycled Realizations
2019 Snow Film
2020 All The Pretty Summer Colors
2020 Look closely and you will see
2020 Viaduct
2021 My Stars
???? Atomic Theory and Chemistry
???? Color Abstractions #8
???? Late Summer Superimpositions
???? Revolve
Sound:
1987 Kodachrome Revisited
1987 Light Color and Water
1989 Exposures
1990 Symmetry
1992 Reflections
1993 Difficult Cinema
1993 Liquid
1994 Undercurrents
1995 A Little Splinter of Time
1995 Girl and a Bicycle
1996 The Movement of Light at Night
1997 Desert Abstractions
1997 Stan's Salon
1998 Fluffy Fluffy Calm Calm
1999 Prostian Neurosis
2000 The Last Ten Minutes of Existence
2001 All Saints Day
2001 All Saints Day II
2001 The Flickering of the Minds Eye
2003 Anomalies of the Unconscious
2003 Vernal Obeisance
2006 Six Arms - Homage to Mekas
2006 The Astrum Argentinum
2007 An Optical Printer Duet
2008 The Production and Decay of Strange Particles
2009 a meditation in color and light
2013 A Beginning a Middle and an End
2013 One Minute Movie No. 1
2014 Retina Circus
2015 Meandering
2015 The Colors of Boulder in the Summer
2016 A City in Four Parts
2016 An Afternoon at Oyster Bay
2016 Me And My Friend
2016 Two Roll Camera Roll
2017 Found Footage Film
2018 A Film Containing Trees
2018 Light Coins
2019 A Winter Song
2019 Bleach Bypass
2019 In the Autumn Before the Winter Comes Man's Last Made Surge of Youth
2019 Recycled Realizations
2019 Snow Film
2020 All The Pretty Summer Colors
2020 Look closely and you will see
2020 Viaduct
2021 My Stars
???? Atomic Theory and Chemistry
???? Color Abstractions #8
???? Late Summer Superimpositions
???? Revolve
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.