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Grace Passô (b. 1980)

Birthplace:
Pirapora, Minas Gerais, Brazil

Born:
May 20, 1980

Biography from TheMovieDB

Grace Anne Paes de Souza, known as Grace Passô (Belo Horizonte, May 20, 1980), is a Brazilian actress, director, screenwriter and playwright graduated from the Clóvis Salgado Foundation Technological Artistic Training Center, in Belo Horizonte, Minas Gerais. In cinema, she acted in films such as "Elon Don't Believe in Death" (Ricardo Alves Júnior), "Praça Paris" (Lúcia Murat), "No Coração do Mundo" (Plastic Films - Gabriel Martins and Maurílio Martins), "Tempoarada" (Plastic Films - André de Novais Oliveira) and "Vaga Carne" (Grace Passô and Ricardo Alves Júnior), winning numerous awards.

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Additional information:

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Film Performances

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Film Production

Creator:
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis

Director:
2019  Dazed Flesh
2020  Ficções Sônicas
2020  Mata Teu Pai
2020  O Segundo Antes da Coragem
2020  Republic
2021  Ficções Sônicas #2
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis
????  Amores 1500

Producer:
2019  Dazed Flesh
2020  Ficções Sônicas
2020  Mata Teu Pai
2020  O Segundo Antes da Coragem
2020  Republic
2021  Ficções Sônicas #2
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis
????  Amores 1500

Production Design:
2019  Dazed Flesh
2020  Ficções Sônicas
2020  Mata Teu Pai
2020  O Segundo Antes da Coragem
2020  Republic
2021  Ficções Sônicas #2
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis
????  Amores 1500

Screenplay:
2019  Dazed Flesh
2020  Ficções Sônicas
2020  Mata Teu Pai
2020  O Segundo Antes da Coragem
2020  Republic
2021  Ficções Sônicas #2
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis
????  Amores 1500

Writer:
2019  Dazed Flesh
2020  Ficções Sônicas
2020  Mata Teu Pai
2020  O Segundo Antes da Coragem
2020  Republic
2021  Ficções Sônicas #2
2023  Falas Femininas: Histórias (Im)possíveis
2023  Falas Negras: Histórias (Im)possíveis
2023  Falas da Terra: Histórias (Im)possíveis
2023  Falas da Vida: Histórias (Im)possíveis
2023  Falas de Orgulho: Histórias (Im)possíveis
2025  The Best Mother in the World
????  Amores 1500

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TV Performances

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.