A work in constant progress (and occasional regress).
Charlotte Clermont is an artist and filmmaker living in Quebec, Canada. Charlotte's work deals with the materiality of image and sound through analog processes. She uses her "own coded language" to shift meaning between each of her films and their common themes: psychology, plants, seascapes, intimacy and the tension that lies between bodies.
Director:
2016 Parking Lot Attendant
2016 as close as possible / as far as possible
2017 How Flowers Never Became A Food Group
2017 Plant Dreaming Deep
2018 514-835-9658
2018 Plants Are Like People
2019 Where I Don't Meet You
2019 special dark glass somewhere
2019 you're a plant whisperer and for me, it's enough
2020 dream less
2021 Lucina Annulata
2022 death by fantasies by mirrors
???? On Unshaped Dialogue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.