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Javier Valdés (b. 1959)

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Alias:
Javier Fernando Valdés
Javier Fernando Valdés Garrido Lecca
Javier Valdes

Birthplace:
Lima, Peru

Born:
June 10, 1959

Biography from TheMovieDB

Son of Armando Valdés and Jesús Garrido Lecca Iturbe  From a very young age he showed his artistic vocation, having Adolfo Chuiman as his acting teacher during his school days, and then Gustavo Bueno. He studied at the Santa Margarita School. Even as a teenager he made his first appearance on television (in a character as the son of the artist Mabel Duclós), in the television program called Teatro de Pepe Vilar. Later he would travel to Spain to continue his artistic training. He made his debut in soap operas in Solo por ti, after rejecting a co-starring role in Bajo tu Piel. In 2007, he participated in the Hispanic Demonstration in New York.  Valdés is known for his participation in several soap operas such as Canela or Luz María. He has been dedicated to acting for many years and, part of his knowledge was acquired in Spain where he studied Interpretation at the Cristina Rota School in Madrid. He also teaches several acting workshops.

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Film Performances

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Film Production

Novel:
2002  I Murder Seriously

Screenplay:
2002  I Murder Seriously

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TV Performances

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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