A work in constant progress (and occasional regress).
Assistant Director:
1969 Copacabana Fools Me
Director:
1967 Heleno
1969 Copacabana Fools Me
1979 When Pizarro, Cortés and Orellana were friends
Editor:
1967 A Public Opinion
1967 Heleno
1968 Desesperato
1969 Copacabana Fools Me
1969 Dramática Popular
1971 Crazy Love
1971 Memoirs of a Strangler of Blondes
1972 The Demiurge
1975 La Bicicleta
1978 Vicios en la cocina, las papas silban
1979 When Pizarro, Cortés and Orellana were friends
1987 Como una pintura nos iremos borrando
Screenplay:
1967 A Public Opinion
1967 Heleno
1968 Desesperato
1969 Copacabana Fools Me
1969 Dramática Popular
1971 Crazy Love
1971 Memoirs of a Strangler of Blondes
1972 The Demiurge
1975 La Bicicleta
1978 Vicios en la cocina, las papas silban
1979 When Pizarro, Cortés and Orellana were friends
1987 Como una pintura nos iremos borrando
Script:
1967 A Public Opinion
1967 Heleno
1968 Desesperato
1969 Copacabana Fools Me
1969 Dramática Popular
1971 Crazy Love
1971 Memoirs of a Strangler of Blondes
1972 The Demiurge
1975 La Bicicleta
1978 Vicios en la cocina, las papas silban
1979 When Pizarro, Cortés and Orellana were friends
1987 Como una pintura nos iremos borrando
1993 Perros de la ley
Sound:
1967 A Public Opinion
1967 Heleno
1968 Desesperato
1969 Copacabana Fools Me
1969 Dramática Popular
1969 Nelson Cavaquinho
1971 Crazy Love
1971 Memoirs of a Strangler of Blondes
1972 The Demiurge
1975 La Bicicleta
1978 Vicios en la cocina, las papas silban
1979 When Pizarro, Cortés and Orellana were friends
1987 Como una pintura nos iremos borrando
1993 Perros de la ley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.