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Howell Raines (b. 1943)

Birthplace:
Birmingham, Alabama, USA

Born:
February 5, 1943

Biography from TheMovieDB

From Wikipedia, the free encyclopedia  Howell Hiram Raines (/ˈhaʊəl reɪns/; born February 5, 1943) is an American journalist, editor, and writer. He was executive editor of The New York Times from 2001 until he left in 2003 in the wake of the scandal related to reporting by Jayson Blair. In 2008, Raines became a contributing editor for Condé Nast Portfolio, writing the magazine's media column. After beginning his journalism career working for Southern newspapers, he joined The Times in 1978, as a national correspondent based in Atlanta. His positions included political correspondent and bureau chief in Atlanta and Washington, DC, before joining the New York City staff in 1993.  Raines has also published a novel, two memoirs, an oral history of the civil rights movement, and a history of the Union soldiers from Alabama who played a decisive role in the Civil War and were scrubbed from the history books.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.