A work in constant progress (and occasional regress).
Born in Bulgaria, Ralitza lives and works between England, Bulgaria, and France. In early life, she studied Fine Art, and later Fiction Directing at the UK’s National Film and Television School. Her films have won acclaim at film festivals such as Cannes, Berlin, and Toronto, as well as on numerous art platforms, including the Centre Pompidou, Paris. She was previously awarded the Prix UIP, Best European Short Film at the Berlin IFF, and nominated for an EFA. Her film 'By the Grace of God', which premiered at Cannes Film Festival, is currently on DVD release at the British Film Institute and Tate Modern. Ralitza is an alumna of Creative England’s Elevator Programme 2013, Le Groupe Ouest 2013, and TorinoFilmLab’s FrameWork 2013. Her debut feature ‘Godless’ has been awarded production support by Eurimage, Danish Film Institute, Bulgarian National Film Centre, TFL Framework 2013, Sarajevo Film Festival's CineLink 2015, and the Women in Film Finishing Fund, Los Angeles. In 2015, Ralitza Petrova founded Aporia Filmworks, a production company that aims to produce independent, uncompromising and relevant films.
Director:
2016 Godless
2019 By the Grace of God
???? Better Nature
???? Lust
???? Rotten Apple
Editor:
2016 Godless
2019 By the Grace of God
???? Better Nature
???? Lust
???? Rotten Apple
Producer:
2016 Godless
2019 By the Grace of God
???? Better Nature
???? Lust
???? Rotten Apple
Screenplay:
2016 Godless
2019 By the Grace of God
???? Better Nature
???? Lust
???? Rotten Apple
Writer:
2016 Godless
2019 By the Grace of God
???? Better Nature
???? Lust
???? Rotten Apple
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.