Coley Campany

Alias:
Coley Company

Birthplace:
Memphis, Tennessee

Coley Campany calls herself an idea generator and loves to take projects from conception to birth as a writer, director, actress, producer, whatever. She loves collaborating and looks forward to blending all the fantastic artists she knows while creating cool art projects together.  Coley began her artistic career as a professional ballet dancer in Memphis, TN, where she danced for twelve years. In 2012, she moved to New York to start a new career as an actor. Coley connected with the Labyrinth Theater Intensive Ensemble, where she began her path as a writer and visual storyteller. It's also where she met Kim! She co-wrote a play in 2016 called Still, Birth. a play about pregnancy loss that combines stories of various ways pregnancies end. Coley includes her own story of having two late-term abortions in the play. She continues to tell her story to spread awareness for women's reproductive rights.  After moving to Atlanta in 2017, Coley added another arm to her career path with comedy. She's a founding member of the sketch comedy team, Meekus. They've made several sketches for stage and screen.  The pandemic inspired her to write and create her own work. Several sketches came out of that time, including Supermodel Twinning with Kim Berrios Lin. This year, Coley finished a passion project that is now making the festival circuit called A Skosh Askew, a two-women filmed sketch series.  Coley can also be seen on screen in Candy, The Eyes of Tammy Faye, The First Lady, Watchmen, and the upcoming season of Heels and Mike.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.