A work in constant progress (and occasional regress).
Birthplace:
El Dorado Springs, Missouri
Born:
December 19, 1963
Ronnie Sortor wrote, directed and edited the feature films, SINISTRE (1994) and RAVAGE (1996). He also coproduced and edited LIVING A ZOMBIE DREAM (1995) and KITTY KILLERS (1998) for filmmaker Todd Reynolds as well as several short films and television commercials. In 2005, Sortor made the short horror film, "Remains". Retired from filmmaking for nearly a decade, Sortor was enthusiastically brought back into the world of low-budget genre cinema with the invitation to edit the critically-acclaimed film, FLOWERS (2015) for Philadelphia, PA director Phil Stevens. Sortor's duties expanded to 2nd Unit Director, Coproducer, Sound Designer, and Sound Effects Editor. Ronnie continued to edit other projects as well as Stevens' next film, LUNG II (2016).
Co-Producer:
1996 Living a Zombie Dream
Director:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2006 Remains
Editor:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
Producer:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
Sound:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
Sound Designer:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
Visual Effects:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
2019 Teratomorph
Writer:
1994 Sinistre
1996 Living a Zombie Dream
1997 Ravage
2001 Kitty Killers
2006 Remains
2015 Flowers
2016 Lung
2017 Slime
2019 Teratomorph
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.