A work in constant progress (and occasional regress).
Alias:
Charles Gruet
Charlie Gruet is an accomplished Cinematographer and Director with over two decades of experience working across New York, Los Angeles, and internationally. Charlie seamlessly blends compelling imagery with emotional depth, crafting narratives that resonate with audiences. His expertise spans comedy, drama, and documentary filmmaking, offering a versatile approach to storytelling. Charlie’s career highlights include serving as the Film Unit Director of Photography for Saturday Night Live during its Emmy-winning Seasons 42 and 43. During his tenure, he worked with A-list talent on sketches that have become part of pop culture history, honing his ability to adapt cinematic techniques to a variety of comedic and narrative styles. Following his time at SNL, Charlie was the Director of Photography for the critically acclaimed series The Other Two (HBO/Max). Collaborating with creators Chris Kelly and Sarah Schneider, he brought a refined visual sensibility to the show. In addition to cinematography, Charlie directed the Season 2 finale as well as two episodes in Season 3. Charlie served as one of the Directors of Photography for all four seasons of HBO’s critically acclaimed series High Maintenance. The show, created by Katja Blichfeld and Ben Sinclair, was celebrated for its unique storytelling, capturing intimate character portraits and vibrant slices of New York City life. Charlie’s cinematography played a pivotal role in shaping the show’s aesthetic, blending naturalistic lighting and dynamic compositions to reflect the authenticity and diversity of the city’s narratives. His collaboration with the creators resulted in episodes that ranged from deeply emotional to whimsically humorous, making High Maintenance a standout in modern television. In feature films, Charlie has worked with prominent comedy talents on projects like Most Likely to Murder and Big Brother Volcano. He has also directed short films for Freakonomics Radio, blending documentary and fiction with sharp humor. In drama, Charlie showcased his versatility as the DP for Hulu’s Tell Me Lies, a gripping series starring Grace Van Patten and Jackson White. Charlie worked with notable directors, including Robin Wright and Isabel Sandoval, to capture its nuanced narrative. Charlie’s documentary work has garnered critical acclaim, including Meet the Hitlers, Confessions of a Superhero, and PBS’s emmy-nominated The Self-Made Man. His ability to create intimate, visually engaging documentaries is further highlighted in projects for CNN Heroes and Stand Up 2 Cancer. A proud member of the International Cinematographers Guild (Local 600) and the Directors Guild of America, Charlie continues to push creative boundaries.
Cinematography:
2014 Saving Africa's Giants With Yao Ming
Director of Photography:
2003 Inhabited
2005 The Self-Made Man
2007 Confessions of a Superhero
2008 Road Reps
2014 Meet the Hitlers
2014 Saving Africa's Giants With Yao Ming
2017 Village People
2018 Most Likely to Murder
2022 She's Clean
Producer:
2003 Inhabited
2005 The Self-Made Man
2007 Confessions of a Superhero
2008 Road Reps
2014 Meet the Hitlers
2014 Saving Africa's Giants With Yao Ming
2017 Village People
2018 Most Likely to Murder
2022 She's Clean
Second Unit Director of Photography:
2002 Terminal Error
2003 Inhabited
2005 The Self-Made Man
2007 Confessions of a Superhero
2008 Road Reps
2014 Meet the Hitlers
2014 Saving Africa's Giants With Yao Ming
2017 Village People
2018 Most Likely to Murder
2022 She's Clean
Director:
2019 The Other Two
Director of Photography:
1975 Saturday Night Live
2012 High Maintenance
2016 High Maintenance
2019 Florida Girls
2019 The Other Two
2022 Tell Me Lies
2022 The G Word with Adam Conover
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.