A work in constant progress (and occasional regress).
Meredith Mantik is an editor based in Los Angeles, California and a 2023 Women in Film Editing Fellow. She has edited four narrative features, five documentary features, and numerous short films. Her most recent narrative feature, DOWNEAST, was distributed by Gravitas Ventures and is currently available on Showtime. She has worked as lead editor on the Discovery series BERING SEA GOLD, junior editor on the BAFTA-winning series EXODUS: OUR JOURNEY TO EUROPE, and assistant editor on the NBC series YOUNG ROCK, the Amazon/Hello Sunshine film SOMETHING FROM TIFFANY’S, and the upcoming Amazon film THE BURIAL, starring Jamie Foxx and Tommy Lee Jones. Meredith studied Creative Writing at Idyllwild Arts Academy, holds a BA in English, Film, and Philosophy from Colorado College, and, upon graduating with distinction from the UK’s prestigious National Film and Television School's Editing MA course, received an AVID Excellence in Editing Award for her work on SWEET MADDIE STONE. SWEET MADDIE STONE was a Semi-Finalist at the Student Academy Awards and was voted Best British Short Film at London Critics’ Circle Awards and Best Short Film of the Year at the ODEON Film Awards.
Associate Producer:
2021 Downeast
Co-Producer:
2021 Downeast
2024 Dawn Dusk
Editor:
2015 Rust
2019 Alice is Still Dead
2019 Hunting Lands
2019 July Rising
2021 Downeast
2024 Dawn Dusk
Post Production Supervisor:
2015 Rust
2019 Alice is Still Dead
2019 Hunting Lands
2019 July Rising
2021 Downeast
2024 Dawn Dusk
Producer:
2015 Rust
2019 Alice is Still Dead
2019 Hunting Lands
2019 July Rising
2021 Downeast
2024 Dawn Dusk
Writer:
2015 Rust
2019 Alice is Still Dead
2019 Hunting Lands
2019 July Rising
2021 Downeast
2024 Dawn Dusk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.