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Paul Rogers

Biography from TheMovieDB

Paul Rogers is an American film editor. He is best known as the editor of the 2022 film Everything Everywhere All at Once, which earned him a number of accolades, including the Academy Award for Best Film Editing and the BAFTA Award for Best Editing.  He attended Homewood High School and graduated from the College at Santa Fe as a film student.  He is married and thanked his wife (and his mother, photographer Melissa Springer) during his Academy Awards speech. In an interview with The Hollywood Reporter, Rogers advocated for a much greater work-life balance—especially one used by the Daniels. On October 16, 2023, Rogers appeared in an episode of Monograph, a PBS series dedicated to Alabaman artists.  Description above from the Wikipedia article Paul Rogers, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Additional Editing:
2016  Lemonade

Editor:
2014  Interesting Ball
2016  Lemonade
2017  Snowy Bing Bongs Across the North Star Combat Zone
2019  The Death of Dick Long
2020  You Cannot Kill David Arquette
2022  Everything Everywhere All at Once
2025  BLKNWS: Terms & Conditions
2025  The Legend of Ochi

Thanks:
2014  Interesting Ball
2016  Lemonade
2017  Snowy Bing Bongs Across the North Star Combat Zone
2019  The Death of Dick Long
2020  You Cannot Kill David Arquette
2022  Almost Everything You Ever Wanted to Know About Everything Everywhere All at Once
2022  Everything Everywhere All at Once
2025  BLKNWS: Terms & Conditions
2025  The Legend of Ochi

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.