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Krysty Wilson-Cairns (b. 1987)

Birthplace:
Glasgow, Scotland, UK

Born:
May 26, 1987

Biography from TheMovieDB

Krysty Wilson-Cairns (born 26 May 1987) is a Scottish screenwriter. Born and raised in Glasgow, Scotland, she attended Craigholme School, and later studied at the Royal Conservatoire of Scotland, and the National Film and Television School. During her teenage years, she was a runner on television series including the detective show Taggart. Her script for the unproduced science fiction thriller Aether made the 2014 Black List and led to a staff writer role on the television show Penny Dreadful. Her feature film debut was the screenplay for the Sam Mendes-directed 2019 war film 1917. She co-wrote it with Mendes and received nominations for the Academy Award for Best Original Screenplay and the Writers Guild of America Award for Best Original Screenplay.  Description above from the Wikipedia article Krysty Wilson-Cairns, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Lyricist:
2013  Musical Star

Screenplay:
2013  Musical Star
2019  1917
2021  Last Night in Soho
2022  The Good Nurse

Writer:
2011  The End of an Era
2012  All Men's Dead
2013  Dollface
2013  Fink
2013  Musical Star
2019  1917
2021  Last Night in Soho
2022  The Good Nurse
????  Cleopatra

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TV Production

Writer:
2014  Penny Dreadful

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About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.