A work in constant progress (and occasional regress).
Alias:
John William Cann Jr.
Birthplace:
Louisville, Kentucky, USA
Born:
September 27, 1920
Died:
February 11, 1994
William Conrad (September 27, 1920 - February 11, 1994) was an American actor, producer, and director. He was born William Cann in Louisville, Kentucky, the son of a theatre-owner who moved to southern California, where he excelled at drama and literature while at school. Starting work in radio in the late 1930s in California, Conrad went on to serve as a fighter pilot in World War II. He entered the army in 1942, and was commissioned at Luke Field, Arizona in 1943 (now Luke Air Force Base). On the day of his commission he married June Nelson. He returned to the airwaves after the war, going on to accumulate over 7,000 roles in radio by his own estimate. Among Conrad's various film roles, where he was usually cast as threatening figures, perhaps his most notable role was his first credited one, as one of the gunmen sent to eliminate Burt Lancaster in the 1946 film The Killers. He also appeared in Body and Soul (1947), Sorry, Wrong Number, Joan of Arc (both 1948), and The Naked Jungle (1954). As a producer for Warner Brothers, he made a string of feature films, including An American Dream (1966, retitled See You in Hell, Darling for British release), A Covenant With Death (1966), First to Fight (1967) and The Cool Ones (1967), and also directed My Blood Runs Cold, Brainstorm and Two on a Guillotine (all 1965).
Director:
1963 The Man from Galveston
1965 Brainstorm
1965 My Blood Runs Cold
1965 Two on a Guillotine
1981 Side Show
Executive Producer:
1963 The Man from Galveston
1965 Brainstorm
1965 My Blood Runs Cold
1965 Two on a Guillotine
1967 Countdown
1967 First to Fight
1967 The Cool Ones
1968 Assignment to Kill
1980 Turnover Smith
1981 Side Show
Producer:
1957 The Ride Back
1963 The Man from Galveston
1965 Brainstorm
1965 My Blood Runs Cold
1965 Two on a Guillotine
1966 An American Dream
1967 Countdown
1967 First to Fight
1967 The Cool Ones
1968 Assignment to Kill
1968 Chubasco
1980 Turnover Smith
1981 Side Show
Songs:
1957 The Ride Back
1963 The Man from Galveston
1965 Brainstorm
1965 My Blood Runs Cold
1965 Two on a Guillotine
1966 An American Dream
1967 Countdown
1967 First to Fight
1967 The Cool Ones
1968 Assignment to Kill
1968 Chubasco
1980 Turnover Smith
1981 Side Show
Director:
1955 Gunsmoke
1955 Highway Patrol
1957 Have Gun, Will Travel
1957 Tombstone Territory
1958 77 Sunset Strip
1958 Bat Masterson
1958 Mackenzie's Raiders
1958 Naked City
1958 The Rifleman
1958 The Rough Riders
1959 Bold Venture
1959 Lock-Up
1959 Men Into Space
1959 This Man Dawson
1960 Klondike
1960 Route 66
1960 The Case of the Dangerous Robin
1961 Target: The Corruptors!
1962 General Electric True
1962 Saints and Sinners
1963 Temple Houston
1968 The Name of the Game
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.