A work in constant progress (and occasional regress).
Birthplace:
Madison, Wisconsin
Born:
May 6, 1958
POLA RAPAPORT is a writer, director, and editor of many award-winning films. Several of her films have been co-produced by Arte/France. Rapaport is a recipient of a Guggenheim Foundation Fellowship, two-time NYFA Fellow, Emmy nominee and winner of numerous grants and awards. Fellow of Yaddo Artists’ Colony, 2019. She is a graduate of NYU Tisch School of the Arts and teaches editing there.
Assistant Camera:
1984 Comedienne
Director:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2016 Nadia Comăneci: The Gymnast and the Dictator
2022 Addicted to Life
Editor:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2012 Here One Day
2015 A Woman Like Me
2016 Nadia Comăneci: The Gymnast and the Dictator
2019 Museum Town
2022 Addicted to Life
Producer:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2012 Here One Day
2015 A Woman Like Me
2016 Nadia Comăneci: The Gymnast and the Dictator
2019 Museum Town
2022 Addicted to Life
Scenario Writer:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2012 Here One Day
2015 A Woman Like Me
2016 Nadia Comăneci: The Gymnast and the Dictator
2019 Museum Town
2022 Addicted to Life
Screenplay:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2012 Here One Day
2015 A Woman Like Me
2016 Nadia Comăneci: The Gymnast and the Dictator
2019 Museum Town
2022 Addicted to Life
Writer:
1984 Comedienne
1991 Broken Meat
1998 Blind Light
2005 Writer of O
2007 Hair: Let the Sun Shine In
2012 Here One Day
2015 A Woman Like Me
2016 Nadia Comăneci: The Gymnast and the Dictator
2019 Museum Town
2022 Addicted to Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.