A work in constant progress (and occasional regress).
Alias:
Maria Valentina Bove
MarĂa Valentina Bove Bello
Birthplace:
Caracas, Venezuela
With over 55 movies successfully delivered. Valentina Bove thrives on quality and high performance. Originally from Caracas, Venezuela, she has become the go to Latina Producer for the independent films in Los Angeles, California. She created the latam department for the distribution company MarVista Entertainment and did it again for the streaming service tubi. Both companies under the Fox Studios. For over 15 years, Valentina has developed an expertise on Independent Films and Latin American trends, always seeking to obtain the best results possible on budget and schedule. Her positivism, and "go getter" attitude always takes her to success. Valentina is a member of groups that support diversity such as Colour Entertainment, Latino Filmmaker Salon and the National Association of Latino Independent Producers and continues to support minorities. She believes everyone deserves to fulfill their dreams no matter their ethnicity, background and given life opportunities.
Co-Executive Producer:
2021 A Deadly Grudge
Co-Producer:
2021 A Deadly Grudge
2021 Twisted Little Lies
2022 A Job to Die For
2022 Secrets Exposed
Executive In Charge Of Production:
2021 A Deadly Grudge
2021 Twisted Little Lies
2022 A Job to Die For
2022 Secrets Exposed
2023 Dante's Hotel
2024 Blind Waters
2024 Earthquake Underground
2024 Prepare to Die
2024 War of the Worlds: Extinction
First Assistant Director:
2014 Mirror Neurons
2021 A Deadly Grudge
2021 Twisted Little Lies
2022 A Job to Die For
2022 Secrets Exposed
2023 Dante's Hotel
2024 Blind Waters
2024 Earthquake Underground
2024 Prepare to Die
2024 War of the Worlds: Extinction
Producer:
2014 Mirror Neurons
2015 A Teacher's Obsession
2015 How Sarah Got Her Wings
2015 The Answer
2016 Married by Christmas
2017 Deadly Detention
2017 Unwritten Obsession
2018 Blood, Sweat and Lies
2020 Ruthless Realtor
2021 A Deadly Grudge
2021 Operation Merry Christmas: The Elf Con
2021 Twisted Little Lies
2022 A Job to Die For
2022 Can't Quit Mom
2022 Secrets Exposed
2022 Targeted
2023 Dante's Hotel
2023 Love at Mariposa Beach
2024 Blind Waters
2024 Earthquake Underground
2024 No Voltees
2024 Prepare to Die
2024 War of the Worlds: Extinction
Unit Production Manager:
2014 Mirror Neurons
2015 A Teacher's Obsession
2015 How Sarah Got Her Wings
2015 The Answer
2016 Married by Christmas
2017 Deadly Detention
2017 Unwritten Obsession
2018 Blood, Sweat and Lies
2020 Ruthless Realtor
2021 A Deadly Grudge
2021 Operation Merry Christmas: The Elf Con
2021 Twisted Little Lies
2022 A Job to Die For
2022 Can't Quit Mom
2022 Secrets Exposed
2022 Targeted
2023 Dante's Hotel
2023 Love at Mariposa Beach
2024 Blind Waters
2024 Earthquake Underground
2024 No Voltees
2024 Prepare to Die
2024 War of the Worlds: Extinction
Producer:
2017 Business Doing Pleasure
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.