James Clyne

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Birthplace:
USA

James Clyne has worked as a film industry artist for well over a decade. He spent his childhood in Oregon catching garter snakes, building forts on construction sights and drawing everything his impressionable mind could think of.  James studied fine art at UC Santa Barbara where he focused on oil painting and photography. He was inspired by master painters and the power of light through a lens. He went on to Art Center where he learned automotive, industrial and film production design. There he was introduced to the work of Raymond Lowey, Pininfarina and, of course, Syd Mead.  Since then, James has collaborated on well over thirty film projects. The highlights include working with Steven Spielberg on a number of projects in various capacities related to visualization. On A.I. and Minority Report James not only designed specific production assets but also created imagery that was used to inform the look of the movies through the relationship between light and emotion. James was also the Production Designer on an animated feature in 2008, Tusker, a magical film about a tribe of Indian Elephants. In 2011, James was selected by Steven Spielberg to put together an art team for the development of a television series. James has also worked with James Cameron on Avatar and Battle Angel, JJ Abrams on both Star Trek films, Robert Zemeckis, as well as projects with Michael Bay, Darren Aronofsky, and Terry Gilliam, to name a few.  In 2013, James joined the ILM Art Department and was given the opportunity to work on a Star Wars: The Force Awakens. He currently resides in San Rafael with his wife and two sons.

Additional information:

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Concept Artist:
2009  Star Trek
2011  Cowboys & Aliens

Conceptual Design:
2009  Star Trek
2011  Cowboys & Aliens
2019  Alita: Battle Angel

Conceptual Illustrator:
2009  Avatar
2009  Star Trek
2011  Cowboys & Aliens
2019  Alita: Battle Angel

Production Design:
2009  Avatar
2009  Star Trek
2011  Cowboys & Aliens
2019  Alita: Battle Angel
2023  The Creator
2025  Jurassic World Rebirth

Production Illustrator:
2000  Mission to Mars
2005  War of the Worlds
2009  Avatar
2009  Star Trek
2011  Cowboys & Aliens
2019  Alita: Battle Angel
2023  The Creator
2025  Jurassic World Rebirth

Visual Effects Art Director:
2000  Mission to Mars
2005  War of the Worlds
2009  Avatar
2009  Star Trek
2011  Cowboys & Aliens
2013  Star Trek Into Darkness
2017  Star Wars: The Last Jedi
2018  Solo: A Star Wars Story
2019  Alita: Battle Angel
2023  The Creator
2025  Jurassic World Rebirth

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.