A work in constant progress (and occasional regress).
Alias:
Fortune
Rebekah
Rebekah Fortune
As a Neurodivergent Director Rebekah advocates for more inclusivity in film and TV for creatives, cast, and crew with both seen and unseen disabilities. Having not been diagnosed with Autism until recently Rebekah struggled to fit in whilst she was growing up and always found her place when creating. In 2017 Rebekah's micro-budget debut feature "Just Charlie" was released to critical acclaim, receiving many awards including The Audience Award at Edinburgh International Film Festival and the Cannes Film Festival Ecrans Junior Award, it has appeared in festivals worldwide and was nominated for 2 BIFA's. Her short film Her Majesty has won Oscar and BAFTA qualifying festivals and Her latest Sci-Fi short Bebe AI has also won many Academy and BAFTA qualifying festivals. Rebekah has several other projects at various stages of development including co-writing for TV "Barren" a post-apocalyptic female-driven Western along with The Corrective a supernatural thriller that received BFI early development funding and Arcadia a Sci-Fi Thriller developed with Screen Yorkshire. She is an alumni of Edinburgh Talent Lab, BIFA Springboard, Breaking thru the lens Network@LFF, Flex (Screen Yorkshire) along with being a Directors UK member where she also sits on the access and inclusion committee. Additionally, Rebekah works extensively with young actors with Disabilities preparing them for careers both in front of and behind the camera. Rebekah is working on her second feature Learning To Breathe Under Water produced by Jack Tarling (Gods Own Country) which was selected for Berlinale Talents where it was nominated for the VFF talent award it has signed with Bankside Films and was on the 2021 Brit List.
Director:
2011 Something Blue
2016 Deadly Intent
2017 Just Charlie
2021 Her Majesty
2021 Pas de Deux
2022 BEBE A.I.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.