A work in constant progress (and occasional regress).
Alias:
Иван Александрович Гончаров
Birthplace:
Simbirsk, Russian Empire [now Ulyanovsk, Russian Federation]
Born:
June 18, 1812
Died:
September 27, 1891
Ivan Alexandrovich Goncharov (1812–1891) was a Russian novelist best known for his novels 'The Same Old Story' (1847), 'Oblomov' (1859), and 'The Precipice' (1869, also translated as 'Malinovka Heights'). He also worked as a literary and theatre critic. Towards the end of his life Goncharov wrote a memoir called An Uncommon Story, in which he accused his literary rivals, first and foremost Ivan Turgenev, of having plagiarized his works and prevented him from achieving European fame. His novel 'Oblomov' caused much discussion in the Russian press, introduced another new term, oblomovshchina, to the literary lexicon and is regarded as a Russian classic. In his essay 'What Is Oblomovshchina?' Nikolay Dobrolyubov provided an ideological background for the type of Russia's "new man" exposed by Goncharov. The critic argued that, while several famous classic Russian literary characters – Onegin, Pechorin, and Rudin – bore symptoms of the "Oblomov malaise", for the first time one single feature, that of social apathy, a self-destructive kind of laziness and unwillingness to even try and lift the burden of all-pervading inertia, had been brought to the fore and subjected to a thorough analysis.
Author:
1965 Oblomov
Novel:
1913 The Precipice
1964 Oblomov
1965 Oblomov
1980 Oblomov
1984 The Precipice
1988 Dream
2016 Gogol Online: An Ordinary Story
Original Story:
1913 The Precipice
1964 Oblomov
1965 Oblomov
1980 Oblomov
1984 The Precipice
1988 Dream
2002 Oblomov
2016 Gogol Online: An Ordinary Story
Writer:
1913 The Precipice
1964 Oblomov
1965 Oblomov
1970 An Ordinary History
1980 Oblomov
1984 The Precipice
1988 Dream
2002 Oblomov
2016 Gogol Online: An Ordinary Story
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.