A work in constant progress (and occasional regress).
Alias:
Luke Pensabene
Luke Pensabene is a film actor and producer. He often works on projects with Brian Patrick Butler, Raye Richards, Anthony Leone, George Jac, and Tony Olmos.
Assistant Director:
???? Purple
Associate Producer:
2017 The Phantom Hour
2024 Dark Chronicles
???? Purple
Camera Operator:
2017 John's Big Day
2017 The Phantom Hour
2024 Dark Chronicles
???? Purple
Co-Producer:
2017 John's Big Day
2017 The Phantom Hour
2020 Friend of the World
2024 Dark Chronicles
???? Purple
Director of Photography:
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 The Phantom Hour
2020 Friend of the World
2024 Dark Chronicles
???? Purple
Location Manager:
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 The Phantom Hour
2020 Friend of the World
2024 Dark Chronicles
???? Purple
Producer:
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 South of 8
2017 The Phantom Hour
2020 Friend of the World
2020 Hacksaw
2021 Graduation Afternoon
2024 Dark Chronicles
???? Purple
Production Design:
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 South of 8
2017 The Phantom Hour
2020 Friend of the World
2020 Hacksaw
2021 Graduation Afternoon
2024 Dark Chronicles
???? Purple
Production Manager:
2015 Hatred
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 South of 8
2017 The Phantom Hour
2020 Friend of the World
2020 Hacksaw
2021 Graduation Afternoon
2024 Dark Chronicles
???? Purple
Set Decoration:
2015 Hatred
2017 Assumption
2017 Fletcher and Jenks
2017 John's Big Day
2017 South of 8
2017 The Phantom Hour
2020 Friend of the World
2020 Hacksaw
2021 Graduation Afternoon
2024 Dark Chronicles
???? Purple
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.