A work in constant progress (and occasional regress).
Alias:
Juan Carlos García Padilla
Adaptation:
1992 La recién nacida sangre
Assistant Director:
1992 La recién nacida sangre
1993 La guagua aérea
Associate Producer:
1992 La recién nacida sangre
1993 La guagua aérea
2001 Marina
Co-Producer:
1992 La recién nacida sangre
1993 La guagua aérea
2001 Marina
Director:
1992 La recién nacida sangre
1993 La guagua aérea
1998 Mutantes
2001 Marina
2002 El pasado, una puerta hacia el futuro
2002 Las huellas de Nilita
2004 Juan Viguié: un visionario
2015 Rodón: Retratos de lo humano
Producer:
1992 La recién nacida sangre
1993 La guagua aérea
1998 Mutantes
2001 Marina
2002 El pasado, una puerta hacia el futuro
2002 Las huellas de Nilita
2004 Juan Viguié: un visionario
2008 72 hours ... And Valencia was the city
2015 Rodón: Retratos de lo humano
Screenplay:
1992 La recién nacida sangre
1993 La guagua aérea
1998 Mutantes
2001 Marina
2002 El pasado, una puerta hacia el futuro
2002 Las huellas de Nilita
2004 Juan Viguié: un visionario
2008 72 hours ... And Valencia was the city
2015 Rodón: Retratos de lo humano
Special Effects Coordinator:
1992 La recién nacida sangre
1993 La guagua aérea
1998 Mutantes
2001 Marina
2002 El pasado, una puerta hacia el futuro
2002 Las huellas de Nilita
2004 Juan Viguié: un visionario
2008 72 hours ... And Valencia was the city
2015 Rodón: Retratos de lo humano
2016 AGENTE ÑERO ÑERO 7
Writer:
1992 La recién nacida sangre
1993 La guagua aérea
1998 Mutantes
2001 Marina
2002 El pasado, una puerta hacia el futuro
2002 Las huellas de Nilita
2004 Juan Viguié: un visionario
2008 72 hours ... And Valencia was the city
2015 Rodón: Retratos de lo humano
2016 AGENTE ÑERO ÑERO 7
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.