A work in constant progress (and occasional regress).
Alias:
Lydie Hegewald
Film producer. Owner of Hegewald Film.
Producer:
1919 Die Erbschaft von New York
1922 Fratricide
1925 People in Need
1926 Der Meineidbauer
1926 Der Pfarrer von Kirchfeld
1927 German Women - German Faithfulness
1927 Liebelei
1927 The Orlov
1927 The Prince's Child
1927 Wenn Menschen reif zur Liebe werden
1928 Fair Game
1928 Frauenarzt Dr. Schäfer
1928 Tales from the Vienna Woods
1928 The Happy Vagabonds
1929 Crucified Girl
1929 His Majesty's Lieutenant
1929 Spring Awakening
1929 The Tsarevich
1930 A Girl from the Reeperbahn
1930 Einbruch im Bankhaus Reichenbach
1930 La straniera
1930 Oh Those Glorious Old Student Days
1930 Schoeller's Boarding House
1930 The Csikos Baroness
1930 The Volga Girl
1930 The stain on honor
1931 Madame Bluebeard
1931 The Stranger
Production Manager:
1919 Die Erbschaft von New York
1922 Fratricide
1925 People in Need
1926 Der Meineidbauer
1926 Der Pfarrer von Kirchfeld
1927 German Women - German Faithfulness
1927 Liebelei
1927 The Orlov
1927 The Prince's Child
1927 Wenn Menschen reif zur Liebe werden
1928 Fair Game
1928 Frauenarzt Dr. Schäfer
1928 Tales from the Vienna Woods
1928 The Happy Vagabonds
1929 Crucified Girl
1929 His Majesty's Lieutenant
1929 Spring Awakening
1929 The Tsarevich
1930 A Girl from the Reeperbahn
1930 Einbruch im Bankhaus Reichenbach
1930 La straniera
1930 Oh Those Glorious Old Student Days
1930 Schoeller's Boarding House
1930 The Csikos Baroness
1930 The Volga Girl
1930 The stain on honor
1931 Madame Bluebeard
1931 The Stranger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.