A work in constant progress (and occasional regress).
Alias:
Aleksandra Koel-Tsupsman
ADR Recordist:
2020 Bad Hair
Boom Operator:
2017 Green Cats
2018 Three August Days
2020 Bad Hair
Dialogue Editor:
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2023 Free Money
Foley:
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2022 Dear Passengers
2023 Free Money
Foley Artist:
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2022 Dear Passengers
2023 Child Machine
2023 Free Money
Sound:
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2020 FRESH BLOOD: With the Best Intentions
2022 Dear Passengers
2023 Child Machine
2023 Free Money
Sound Design Assistant:
2016 Counterpoint
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2020 FRESH BLOOD: With the Best Intentions
2022 Dear Passengers
2023 Child Machine
2023 Free Money
Sound Designer:
2016 Counterpoint
2017 Green Cats
2018 Three August Days
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2025 Fränk
Sound Director:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2025 Fränk
Sound Editor:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2019 Chasing Unicorns
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2025 Fränk
Sound Engineer:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2019 Chasing Unicorns
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2025 Fränk
Sound Mixer:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2019 Chasing Unicorns
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2025 Fränk
Sound Post Production Coordinator:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2019 Chasing Unicorns
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2024 At the Edge of the Waters
2025 Fränk
Sound Re-Recording Mixer:
2016 Counterpoint
2017 Green Cats
2017 Miriam by the Lake
2018 Three August Days
2019 Chasing Unicorns
2020 Bad Hair
2020 Blue
2020 FRESH BLOOD: With the Best Intentions
2020 Julius
2021 Guarding Fires
2022 Dear Passengers
2022 Drifting Apart
2022 Fabula Rasa
2023 Child Machine
2023 Free Money
2024 At the Edge of the Waters
2025 Fränk
Sound:
2022 Beyond the Dark
Sound Editor:
2022 Beyond the Dark
2022 Who Shot Otto Mueller?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.