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Claudine Eizykman (1945-2018)

Birthplace:
Paris, France

Born:
April 22, 1945

Died:
June 22, 2018

Biography from TheMovieDB

As a filmmaker she has made a dozen films (Selection Committee Prize at the Knokke-Le-Zoute Festival in 1974-75), videos and - in collaboration with Guy Fihman – a dozen holographic films and devices to record and present them. Since 1969 she has published numerous studies on narrative cinema ("La Jouissance Cinéma", 1976, ed. 10/18), video art, experimental and avant-garde film, notably on the Vasulkas, Peter Kubelka, Jonas Mekas, Andy Warhol... From 1993 to late 1995, she programmed films for the French Cinémathèque in a regular slot called Cabinet d'Amateur. Since late 1998, she has programmed experimental and avant-garde films for the Forum des Images in Paris. She was a co-founder of the Paris Film Coop in 1974, publisher of the magazine Melba (1976-79), co-founded Cinédoc, of which she is president and since 1979, has taught as a professor at the Université Paris 8 de Vincennes-Saint-Denis.

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Film Performances

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Film Production

Director:
1969  L'autre scène
1972  Maine Montparnasse
1972  Socialisme et Barbarie
1972  Tours de Tours
1974  V.W. Vitesse Women
1977  Bruine Squamma
1977  Bruine Squamma 1ère partie : Séries Mêlées
1977  Bruine Squamma 2ème partie : Séries Brutes
1977  Bruine Squamma 3ème partie : Séries Saturées
1978  Moires Mémoires
1980  Operneïa
1981  Lapse

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.