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Guy Fihman

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Birthplace:
Saint-Cyr-les-Champagnes, France

Biography from TheMovieDB

Filmmaker and researcher born in 1944 in Saint-Cyr-les-Champagnes. Studied at the Ecole Supérieure de Commerce de Paris. Co-founded the Paris Films Coop in February 1974, then Cinédoc.  He has been making films since 1969. In pursuing his investigation of the cinematography of colour and how colours are perceived, he has developed various cinematographic systems for viewing colours and for binocular vision: "cinéchromies" and "cinéglyphes". Since 1980, he has been exploring holographic cinema with Claudine Eizykman.  Professor and Director of the Department for Film and Audiovisual Studies at the University of Paris VIII (Vincennes-Saint-Denis). In 1978, he gained his doctorate with a thesis entitled Articulation en dispositifs de quelques configurations de désir (dispositif intermittent).

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Film Performances

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Film Production

Director:
1969  L'autre scène
1972  Maine Montparnasse
1972  Socialisme et Barbarie
1972  Tours de Tours
1973  France-Soir
1974  Ultrarouge-lnfraviolet
1979  Trois couches suffisent

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.