A work in constant progress (and occasional regress).
Assistant Camera:
2015 Ana
2020 A Wooden Toy Dreamed of Paper Boats
Color Timer:
2015 Ana
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
Colorist:
2015 Ana
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
Director:
2015 Ana
2017 Two Whales
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
Director of Photography:
2015 Adrian's Summer
2015 Ana
2015 Do Not Walk in Circles
2016 Tianguis
2017 Alien
2017 Autobiography to Correct What-ifs
2017 Muffin
2017 Two Whales
2018 Abrakadabra
2018 Orgasm
2019 Bridge of Mischiveous Children
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
2021 Cómo bailar en un mundo raro
2021 Rondó por el placer
2022 The Dark Night of the Soul
2023 Between Two Lights
Editor:
2015 Adrian's Summer
2015 Ana
2015 Do Not Walk in Circles
2016 Tianguis
2017 Alien
2017 Autobiography to Correct What-ifs
2017 Muffin
2017 Two Whales
2018 Abrakadabra
2018 Orgasm
2019 Bridge of Mischiveous Children
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
2021 Cómo bailar en un mundo raro
2021 Rondó por el placer
2022 Going North
2022 The Dark Night of the Soul
2023 Between Two Lights
Screenplay:
2015 Adrian's Summer
2015 Ana
2015 Do Not Walk in Circles
2016 Tianguis
2017 Alien
2017 Autobiography to Correct What-ifs
2017 Muffin
2017 Two Whales
2018 Abrakadabra
2018 Orgasm
2019 Bridge of Mischiveous Children
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
2021 Cómo bailar en un mundo raro
2021 Rondó por el placer
2022 Going North
2022 The Dark Night of the Soul
2023 Between Two Lights
Sound Mixer:
2014 Velociraptor
2015 Adrian's Summer
2015 Ana
2015 Do Not Walk in Circles
2016 Tianguis
2017 Alien
2017 Autobiography to Correct What-ifs
2017 Muffin
2017 Two Whales
2018 Abrakadabra
2018 Orgasm
2019 Bridge of Mischiveous Children
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
2021 Cómo bailar en un mundo raro
2021 Rondó por el placer
2022 Going North
2022 The Dark Night of the Soul
2023 Between Two Lights
Writer:
2014 Velociraptor
2015 Adrian's Summer
2015 Ana
2015 Do Not Walk in Circles
2016 Tianguis
2017 Alien
2017 Autobiography to Correct What-ifs
2017 Muffin
2017 Two Whales
2018 Abrakadabra
2018 Orgasm
2019 Bridge of Mischiveous Children
2019 These Peculiar Days
2020 A Wooden Toy Dreamed of Paper Boats
2020 The Last Memories of Abril
2020 Yesterday and Tomorrow
2021 Cómo bailar en un mundo raro
2021 Rondó por el placer
2022 Going North
2022 The Dark Night of the Soul
2023 Between Two Lights
Camera Department Manager:
2023 Cindy la Regia: The High School Years
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.