A work in constant progress (and occasional regress).
Birthplace:
Aberdeen, Scotland
Steve Hay is a boat-dwelling Oxford-based Scottish actor and voice artist. He is currently the 360 degree virtual reality guide to Glenfiddich distillery, and the voice of Alton Towers’ new £16M wooden spectacular The Wickerman. Recent television includes hit series Outlander, and as a voice artist on feature films Mary Queen of Scots, directed by Josie Rourke, MacBeth, directed by Justin Kurzel and Jason Connery's Tommy's Honour, and television series In Plain Sight. Recent theatre includes Macbeth in a bi-lingual international co-production at Kyrgyzstan’s national theatre, Tomorrow Never Knows in Lodz, Poland and Too Long The Heart for Siege Perilous in Edinburgh. He plays lead roles in forthcoming films The Book of Laws for Dan Lowenstein, The Burkin' Hoose for Nicci Thompson of Crow House Productions and The Hanging Branch, directed by Shaun Hughes for Chris Robb's Tripswitch Productions. As a voice artist he has worked with clients including Jura whisky, Glenlivet whisky, Tesco, Lloyds Bank and Cadburys. Steve is also a regular reader and helps cast and direct Short Stories Aloud, curated by Sarah Franklin, and for John Retallack's Ruskin Theatre Platforms. He played JM Barrie in The Mythmakers in London's West End and in New York. He has appeared in several music videos for lo-fi band Candy Says, and surf-a-billy rockers The Long Insiders. Steve is a founding member of the Oxford Actors Network, Oxfordshire Theatre Makers and Inspires networking group for the Film, Television, Voiceover and Mocap Industries. He also works for homeless charity Crisis, and used to be a journalist. Occasionally he still is.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.