A work in constant progress (and occasional regress).
Line Producer:
1973 The Magnificent Dare Devil
Production Manager:
1962 La cuccagna
1963 The Commandant
1963 Totò Sexy
1964 What Ever Happened to Baby Toto?
1965 A Pistol for Ringo
1965 The Return of Ringo
1965 Totò d'Arabia
1969 Venus in Furs
1973 The Magnificent Dare Devil
Production Secretary:
1951 Paris Is Always Paris
1952 Three Girls from Rome
1953 It Happened in the Park
1954 High School
1954 Two Nights with Cleopatra
1954 Woman of Rome
1962 La cuccagna
1963 The Commandant
1963 Totò Sexy
1964 What Ever Happened to Baby Toto?
1965 A Pistol for Ringo
1965 The Return of Ringo
1965 Totò d'Arabia
1969 Venus in Furs
1973 The Magnificent Dare Devil
Production Supervisor:
1951 Paris Is Always Paris
1952 Three Girls from Rome
1953 It Happened in the Park
1954 High School
1954 Two Nights with Cleopatra
1954 Woman of Rome
1955 The Swindle
1962 La cuccagna
1963 Ro.Go.Pa.G.
1963 The Commandant
1963 Totò Sexy
1964 What Ever Happened to Baby Toto?
1965 A Pistol for Ringo
1965 The Return of Ringo
1965 Totò d'Arabia
1969 Venus in Furs
1973 The Magnificent Dare Devil
Unit Manager:
1951 Paris Is Always Paris
1952 Three Girls from Rome
1953 It Happened in the Park
1954 High School
1954 Modern Virgin
1954 The Art of Getting Along
1954 Two Nights with Cleopatra
1954 Woman of Rome
1955 The Swindle
1957 The Most Wonderful Moment
1959 First Love
1959 The Law
1960 Adua and Her Friends
1960 The Minotaur, the Wild Beast of Crete
1961 Ghosts of Rome
1962 La cuccagna
1962 Violent Life
1963 Ro.Go.Pa.G.
1963 The Commandant
1963 The Conjugal Bed
1963 Totò Sexy
1964 What Ever Happened to Baby Toto?
1964 Woman Is a Wonderful Thing
1965 A Pistol for Ringo
1965 The Return of Ringo
1965 Totò d'Arabia
1969 Venus in Furs
1973 The Magnificent Dare Devil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.