A work in constant progress (and occasional regress).
Location Sound Mixer:
1977 Games of the XXI Olympiad
Sound:
1971 Une balle de gin
1973 Kainai
1974 Cree Hunters of Mistassini
1974 The Light Fantastick
1977 Games of the XXI Olympiad
1986 Return to Dresden
1987 Tocade
1990 ...Comme un voleur
1990 Dear America
1994 The Glass Ark
1997 The Fate of America
Sound Designer:
1971 Une balle de gin
1973 Kainai
1974 Cree Hunters of Mistassini
1974 The Light Fantastick
1977 Games of the XXI Olympiad
1986 Return to Dresden
1986 The Decline of the American Empire
1987 Tocade
1990 ...Comme un voleur
1990 Dear America
1994 The Glass Ark
1997 The Fate of America
Sound Director:
1971 Une balle de gin
1973 Kainai
1974 Cree Hunters of Mistassini
1974 The Light Fantastick
1977 Games of the XXI Olympiad
1986 Return to Dresden
1986 The Decline of the American Empire
1987 Jack Kerouac's Road: A Franco-American Odyssey
1987 Tocade
1990 ...Comme un voleur
1990 Dear America
1994 The Glass Ark
1997 The Fate of America
Sound Re-Recording Mixer:
1971 Une balle de gin
1973 Kainai
1974 Cree Hunters of Mistassini
1974 The Light Fantastick
1975 Cold Journey
1975 My Name Is Susan Yee
1977 Games of the XXI Olympiad
1986 Return to Dresden
1986 The Decline of the American Empire
1987 Jack Kerouac's Road: A Franco-American Odyssey
1987 Tocade
1990 ...Comme un voleur
1990 Dear America
1994 The Glass Ark
1997 The Fate of America
Sound Recordist:
1971 Une balle de gin
1973 Kainai
1974 Cree Hunters of Mistassini
1974 The Light Fantastick
1975 Cold Journey
1975 My Name Is Susan Yee
1977 Games of the XXI Olympiad
1980 The Skiff of Renald and Thomas
1986 Return to Dresden
1986 The Decline of the American Empire
1987 Jack Kerouac's Road: A Franco-American Odyssey
1987 Tocade
1990 ...Comme un voleur
1990 Dear America
1993 Cap Tourmente
1994 The Glass Ark
1997 The Fate of America
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.